Last month I was lucky enough to purchase tickets to Madeon’s Good Faith tour in Tokyo (held at Akasaka Blitz). The event was so popular that tickets sold out in a matter of 10 minutes, but fortunately through a lot of refreshing on the Lawson Ticket site I was able to buy a standing ticket. The standing tickets are the best in my opinion, because you’re able to get close to the stage and dance!
Though I lived in America for many years, this was the first time I had ever seen Madeon live. His performance was such an emotional ride that it’s hard to describe with words, but I was filled with nostalgia and inspiration as I watched him pour his every being into his music. The visuals were stunning, and perfectly matched the theme of each song. In addition to songs from Good Faith, he sang nostalgic songs like Shelter and played a number of live edits that took careful precision and timing. In fact, he put so much into this performance that he was nearly out of breath at the end, but he kept on singing for all of us.
Some of my favorite visuals are the ones shown below:
Good Faith has a lot of highs and lows, and the visuals were carefully designed to reflect that. Similar to Porter Robinson’s shows, the visuals shift with the feeling of the song. Some of them are very complex with intense motion, while others are very still and soft. The show really is a trip and I think everyone can find something that they relate with here [as he intended].
If you haven’t listened to Good Faith yet, please take the chance to when you have time. You won’t be disappointed. My favorite song is “Miracle” because it deals with working out a lot of complex emotions (fear, anxiety, hopelessness), but delivers a powerful meaning. All of the songs are beautiful and combine a mixture of piano, synth, and electronic sounds. Seeing him play on the piano nearly brought me to tears because it was so beautiful.
At the beginning of the month I traveled all the way from Tokyo to Hiroshima in order to attend two events that were part of Pasocom Ongaku Club’s Night Flow Album Release Tour. The first was held at Mondo Cafe in Fukuyama, and the second was at a food and music venue called ONDO in central Hiroshima. in the blue shirt—who is one of my favorite indie electronic producers in Japan—was also a part of this Hiroshima tour so I was ecstatic to go on this trip!
Hiroshima is typically a place where people go to visit historical sights, so before my arrival I had no idea what the nightlife was like. I was pleasantly surprised to see how interactive the music scene is here. Not only did the quality of music and talent of the artists exceed my expectations, but I also have fond memories from both events because they connected me with a lot of different people. I also had the experience to see rare parts of Japan, so coming here was worth all of the time and effort.
In my previous articles, I covered how to travel around Hiroshima and Fukuyama, so in this article I will be writing a detailed report on the music producers that I saw here.
Who is Pasocom Ongaku Club?
Pasocom Ongaku Club (パソコン音楽クラブ in Japanese; also stylized “Pasocom Music Club” in English) is a unit formed in 2015 focused on creating desktop music (DTM) of the new age. They have an adorable dog mascot named Maron (マロン) that appears in a lot of their photos and merchandise. Pasocom Ongaku Club have performed at numerous venues in Japan and utilize modules and digital synthesizers like the Roland SC series and Yamaha MU series to create 90s style music. They have also participated in music production and remixes with other artists, commercials, and a wide range of other activities. ⇢ Official Website
A Brief Timeline of Pasocom Ongaku Club’s Releases:
2015: The unit was formed and started uploading DTM tracks on their Soundcloud.
2017: Released their first major album “PARKCITY” on Maltine Records. Also self-released a miscellaneous album “SHE IS A“.
2019: “Night Flow” and “Night Flow Remixes” were released with critical acclaim. Arranged “Pokémon Shiritori” (ポケモンしりとり)━the ending for the latest Pokémon anime based on the games Sword/Shield. The group of children singing the lyrics to their song are called “Pokémon Ongaku Club”.
One of the most popular Pasocom Ongaku Club songs out right now is “reiji no machi” which features lovely vocals by Inoue Warabi:
I first saw Pasocom Ongaku Club in 2018 at a music/Q&A event called “ゆパ交流戦” in Osaka. I was very impressed by their music production method and how they sang through what looks like a talk box to record some of their vocals.
Saw Batsu, in the blue shirt, ゆnovation and Pasocom Music Club in Osakadai night at an underground music conference. It was very fun, I had never seen someone play a show with a melodica before!!!! 🎶 #ゆパ交流戦pic.twitter.com/8sNjGP7YKc
The event was held again this year  with a slightly different lineup. I could not attend the event this year because I was in Korea, but the highlights were uploaded to in the blue shirt’s YouTube channel.
Who is in the blue shirt?
Born in 1991, “in the blue shirt” is the solo project of a trackmaker named Arimura Ryo who currently resides in Osaka. He started creating music in 2012 and also has managed sound production for commercials and web advertisements. Released his 2nd album, “Recollect the Feeling” in April of this year. Recently he has been organizing a recurring trackmaker/DTM workshop event called “Potluck Lab” and working on his own vlog series tentatively titled “Travels in the blue“. ⇢ Official Website
in the blue shirt also released a remix of “reiji no machi” on “Night Flow Remixes”:
The First Night: At Mondo Cafe
After seeing all of Hiroshima’s major sights, I arrived at Mondo Cafe in Fukuyama around midnight. This was my first time ever going to a music event in Hiroshima so I was a bit nervous by myself, but I was happy to see that some of my friends I had met at Kyoto Metro were here too! It had been several months since I had last saw them so drinking together and catching up was a very pleasant time. Some nice boys from Hiroshima also bought me drinks and I was grateful for their hospitality.
Though I didn’t know many of the local Fukuyama DJs, all of them had great talent. The night was a mix of DTM, disco house, electronic, indie, and funk music. During the event I tried to make conversation with other people, but the music was so good I didn’t want to leave the dancefloor!!
Pasocom Ongaku Club’s set consisted of their own custom intro, hit tracks Night Flow, and some nostalgic tracks from PARKCITY like “oldnewtown”. It was very refreshing to see how much they had improved since I first saw them over a year ago! I recommend their music to everyone.
in the blue shirt’s set consisted of many different genres; his own songs released on Sensation of Blueness, Recollect the Feeling, and toward morning were mixed in with songs from other international artists. He also played “Don’t Wanna Fall in Love” by KYLE, “Nishio 2” by Lemaitre, and “Whatever You Want” by 95 Royale━which is one of my favorite house tracks of all time! This is one of the best in the blue shirt performances I had ever seen!
By the end of the night I was filled with happiness and inspiration from all of the amazing tracks I had danced to that night. It was extremely hard to sleep, but I managed to get a few hours in before the next event on Sunday.
The second event was on a Sunday evening so it started early around 6pm. Much like Mondo Cafe, this event space was very homey but well-suited for the event. Most of the people from last night also came here, so I had the chance to talk to some of the DJs and also see my friends again. I was very grateful for everyone’s kindness and the hard work put into this event. It felt more like a house party than a club event!
What made this event extremely unique was that Pasocom Ongaku Club dropped “Pokémon Shiritori” in one of their sets for the very first time. The composition of this song is brilliant because they sampled the Pokémon Center healing SFX. You can see the video I captured of it (this is one of my most-viewed videos):
Additionally, the VJ here was very talented. The series of flashing logos and animations was the perfect level of stimulation for this kind of event. The lighting at Mondo Cafe was ambient and soothing, but I liked the way ONDO was set up even more.
in the blue shirt’s set was once again filled with a high level of energy and precise mixing of multiple genres. This set had his famous song “Seven Bridge” on it that made the club go insane as well as several tracks that I did not recognize. I am now even more excited to hear the new EP he is working on! I was really fortunate to talk with him and buy one of the few remaining vinyls of Recollect the Feeling. He signed it with my name on it too! I left the venue with a very good feeling.
Afterwards, I went to a lovely Chinese restaurant with some of my female friends. It was so nice to catch up after all this time had passed and share these moments together.
〒730-0026 Hiroshima, Naka Ward, Tanakamachi, 6−3, 音戸温泉ビル
Traveling around Japan for music events has been extremely rewarding for me. I’ve learned much about the world, the people, and the culture of different prefectures of this country through music, and I’ve still got much to learn! I go to clubs and events in Tokyo almost every week, but the atmosphere of the venues in Hiroshima and Kyoto are much more welcoming. The artists and listeners are able to connect so much more freely with this type of event. I will cherish all of the memories that I made here.
I do not have any big trips planned for the rest of the year, but I am planning to go to Nagoya in 2020. Please stay tuned for more updates, and thank you always for reading. ♡
Very recently, Carpainter from Trekkie Trax (Tokyo’s beloved independent record label) released a new EP called “Orient” with roots stemming from Detroit Techno and UK Garage/Funk. The EP contains two songs; the first titled “Orient” and the second titled “Mottled Pattern”. Collectively they are composed with upbeat, inspiring melodies that are true to their influences, and are very reflective of Carpainter’s ability of an artist.
What I like most about these songs are they can be listened to in any setting–such as a club, a lounge, or even at home in your room. While listening to this EP, I definitely feel a funky vibe that is overall upbeat and easy to dance too, but simultaneously, the intricate composition makes you feel reflective and contemplative of life. It is music that is soothing for the soul, much like classic Detroit Techno:
Orient is a song with an intro that sounds similar to the songs that Carpainter produced on his Returning album, but quickly transforms into an extremely unique and funky melody full of energy. The clashing techno sounds in the middle of the song make it very compelling to listen to, but the drums in the background make the song consistent. It is evident he carefully chose the timing of the techno chords and electronic components of the song, and much like Detroit techno, this song possesses a lot of spirituality combined with technology. What I find amazing is that not many people in Japan are familiar with Detroit techno, but this artist has a firm grasp on how to produce it.
In contrast, Mottled Pattern sounds like it had more of an acid techno and liquid house influence, but much like Orient, the percussion and synthetic beats make it a consistent song that is still very funky. Much like a pattern that is “mottled” or unclear, the song is ambiguous in nature. It sounds like liquid techno at first, then has unexpected spaceship-like SFX in the middle which make it very peculiar. However, this is Carpainter’s distinctive style, and what makes him stand out as an artist. Overall, I like this song just as much as I like Orient because Carpainter put so much of himself into it, yet you can tell he had various techno influences as mentioned above.
Though I have many positive things to say about this EP, my biggest criticism is it doesn’t actually reflect how much as he has grown as an artist. In less than one year, Carpainter has done amazing things like open for Virtual Self in Tokyo, tour in Taiwan with the rest of Trekkie Trax, and also has performed at extremely reputable clubs in Tokyo while studying music and building a following of loyal fans. I have witnessed him perform at techno, anime song, and house events as well as open for foreign performers that come to Japan, and in this single year of 2018 he has improved his abilities more than what this EP reflects.
One reason I love Carpainter as an artist is because he has played more genres than anyone else on his label, and has challenged himself to create music that is much different than what your normally hear from other Japanese artists. However, if you don’t actively follow his club events and only listen to his music online, then you won’t know how much he’s grown as a producer since his last album (Returning, released in 2017).
Fortunately, Trekkie Trax has premiered more of Carpainter’s unreleased exclusive songs on their radio show, so hopefully Orient is part of a larger and more epic release. Additionally, the reason of why he chose sunflowers as his cover art remains up to the listener to perceive (and will hopefully be elaborated on in a future interview)!
If you like artists like Lone, Ken Ishii, Disclosure, and various UK Garage artists, then I definitely recommend that you listen to it!