『GRATEFUL IN ALL THINGS』art gallery by Osamu Sato & Deconstructing LSD

If you’ve ever heard of the PS1 cult classic LSD Dream Emulator, then you might already recognize this art.  It was created by the game’s producer: Osamu Sato.  This trippy exploration game has gained quite the reputation over the years for its aesthetic visuals and for the fact that it rejects most common game principles such as having a clear objective for the player to accomplish.  At the start of the game the player is given a diary based on the dreams that director Hiroko Nishikawa recorded for a decade (see Lovely Sweet Dreams).  The music and environment changes completely based on your actions making it so each playthrough is entirely unique.  Depending on what objects you interact with, you can see very psychedelic dreams or dark and catastrophic ones.

Each time you do an action in the game (such as running into a moving object or falling off the map), your progress on the dream chart is recorded and a day advances.  The chart has four labels that produce different visuals: Upper, Dynamic, Downer, and Static.  Different cutscenes and pages of the dream diary will be unlocked depending on your actions.  There is a “Flashback” option in the menu where you can review your progress.

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The LSD Dream Chart.

Many players try to see the dark parts of the game by running off the map and “killing” their character, but this won’t necessarily produce a downer dream—sometimes an upper one is generated instead.  People have tried to write guides on this but how exactly the game evaluates your actions is unknown.  Still to this day there is much unknown about LSD…

Since the game was never officially localized outside of Japan, physical copies are quite rare and coveted.  LSD Revamped is a popular fan-made version of the game that tweaks the original in a more user-friendly way.  The web author describes it as:

“The genre isn’t adventure, it’s not action, and it’s not even an RPG. If I had to define a genre, it would be a ‘walking dream emulator’.”

Ironically during the same month that the original LSD received its full English patch via fan translation, digital artist Osamu Sato held his “GRATEFUL IN ALL THINGS” art gallery at B-GALLERY in Tokyo.  The exhibition is free and available from 5/25/2020 – 6/7/2020:

Osamu Sato is a graphics designer and photographer originally from Kyoto that has created digital art exhibitions and also worked as an artist for Sony.  He has traveled abroad and used many of his photos as design materials for his works.  He also produces music.  In his website biography it states his ideas are drawn from both consciousness and unconsciousness in his intellectual level.  These ideas are clearly reflected in this exhibition as some pieces appear to have a sense of identity.

“GRATEFUL IN ALL THINGS” is not only the name of this art gallery, but also his latest music album which I managed to purchase along with a T-shirt:

I am very grateful that I could make it to this exhibition.  I respect artists that reject the principles set before them and seek to create things in their own methodical way.   I hope to attend more of his events in the future and continue to deconstruct the human mind.

For more information, please see:

The Tale of the Monkey Forest and Glaass Lounge in Nagano

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Matsumoto Castle in Nagano, Japan.

Nearly two years ago, I ventured north into the mountainous region of Nagano with two missions to accomplish.  The first was to see the famous hotspring-loving monkeys in Jigokudani.  Though a lot of monkeys in Asia are known to be feisty, the Japanese macaque (also known as snow monkeys) are said to be pretty relaxed.  It’s probably due to the fact that they have their own 24-hour hotspring to themselves.  The second objective was to go to a rare event in Matsumoto called Glaass Lounge.  This party is a gathering of house and techno enthusiasts that goes all night, and on this particular weekend Carpainter and Seimei of Trekkie Trax were to appear.  The stars had aligned for the ultimate weekend and I couldn’t be more excited!

 

Jigokudani Monkey Park

As soon as I arrived to Nagano Station, I went to the ticket office and purchased a day pass for Jigokudani Park.  The park is about an hour bus ride from the station, but you have the chance to see rare scenes of the countryside so it’s not a bad trip.  From the bus stop, the walk to the monkey park is about 30 mins through a lush pine forest.  When you get to the top of a hill in the mountains, you will see dozens of monkeys running through a roped-off area full of hotsprings:

Though you sadly cannot enter the hotsprings with the monkeys, you can get pretty close to them.  Often they will go under the ropes and leisurely mingle with people.  It is advised not to look them directly in the eyes because that is a sign of aggression.  Also there are notices posted not to feed them and to be careful with your bags (a.k.a. common sense).  I would allow yourself at least 1.5 hours to fully enjoy the park.  The monkeys are quite fun to observe and the mountain air feels lovely.

Besides the monkeys, the scenery surrounding the park made it worth the trip.  The mountain backdrop on the lake looked like something straight out of a postcard.  Plus hiking through the forest was an awesome workout and I saw many beautiful rivers along the way.  You can see the Japanese Alps from here too:

Admission Fee: 800 yen to enter the park // 3200 yen for admission to the park and roundtrip bus fare (I recommend this option unless you rent a car)

Although I had fun here, the day I went the monkeys weren’t particularly interesting in bathing even though it was cold out and there was snow on the ground.  Hakodate in Hokkaido has a better monkey onsen that you can see.  The monkeys there seem to love hotsprings more than the monkeys I saw here, but both are worth checking out.

Food

Due to having to catch a train into the city that night, I didn’t have a lot of time to look for places to eat but fortunately Nagano Station had me covered.  I managed to find some amazing kitsune udon (noodles topped with a thin layer of fried tofu), and oyaki (stuffed dumplings).  I was happy to see they had a number of vegetarian options and were very cheap to order individually.  Oyaki are a Nagano specialty so definitely try them if you get the chance!  You can find them literally all over the place in a variety of flavors.

Glaass Lounge

I arrived at Studio SONIC around 11pm when Glaass Lounge had just kicked off.  The club had a simple setup with a DJ booth in the front and a bar to the side, but since it was compact it was easy to socialize with people.  I found my friends immediately and told them the story of the bathing monkeys.  It felt great to experience the music scene of Matsumoto out here in the mountains.  A number of these DJs come to Tokyo events every once in a while too.

Monolith Slip, a duo of two music producers from this area were one of my favorite acts.  They create a lot of rave music and were featured on an earlier Haka Gang x Trekkie Trax compilation:

Besides them, I of course enjoyed seeing Carpainter as the featured guest.  As always, his techno/house mixes are amazing:

This party went on until 5am and was an experience I’ll never forget.  I haven’t been back to Nagano in over 2 years, but if there are more music events like these in the fture then I’ll definitely be tempted!

Address: 2 Chome-5-6 Fukashi, Matsumoto, Nagano 390-0815

Access

From Tokyo Station, take the Hokuriku-Shinkansen to Nagano Station.  This will take 2 hours and costs 8400 yen one way.  From Nagano Station you can take a bus to the monkey forest and the Shinano Limited Express to reach Matsumoto City.  All tickets can be purchased on they day you arrive, but if you are coming during a holiday I would book them in advance.  I would recommend 2 days and 1 night here to see everything.

Since I didn’t have a lot of money at time, I stayed at a net cafe called Carefree Cafe for a few hours after the party.  However, there are a lot of great hotspring resorts and ryokan you can stay in that are better!  Booking usually has some great deals depending on what you are looking for.

 

 

Riding a Bike through the Sky in Okayama (Washuzan Highland)

After hitch-hiking around Okayama and seeing all of the major sights it had to offer, I decided to make my way to Washuzan Highland so I could ride the “most terrifying rollercoaster in all of Japan” (that’s really not so terrifying).  Washuzan Highland is a Brazilian-themed amusement park about an hour from Okayama Station.  The park has everything from roller coasters to swimming pools to petting zoos.  Because it’s located in the countryside of Japan, it has a huge amount of attractions but not nearly as many tourists as other amusement parks.  With the tropical plants, Brazilian performers, and the vibrant atmosphere, I really did feel like I was in a different country here!

The terrifying rollercoaster, called the “SkyCycle”, is actually a pedal-powered roller bike that’s extremely high up in the sky.  Although I didn’t find it scary, the fear likely stems from the fact that it’s not automated like other rollercoasters; the bike is entirely in your control and you go around at your own pace.  Looking down might cause panic for those who are afraid of heights, but this is a great ride for people like me who love adventure.  The ride is only about a minute long but you get an awesome view of Okayama Prefecture and Shikoku Island from it:

I was a little disappointed that the ride wasn’t a bit longer, but I understand that people may get scared over time if it were.  The bike has two seats but you can ride it alone.  I rode it twice so I could experience it from both the inward and outward seats.  The outward seat is definitely more thrilling because it faces the edge and you can feel the motion of the turns more.  Though it looks a bit dangerous from all of the media exposure, SkyCycle is completely safe because each chair has a seat belt, so you don’t have to worry about falling off.  You should be careful of dropping your camera though!

After surviving the most terrifying rollercoaster, I decided to go swimming for a while in the pool.  It’s not very deep but it’s extremely refreshing on a hot day in August!  Next I did some rollerskating at the roller rink.  I specifically remember that the song Cookie by banvox started playing on a loudspeaker, and I picked up the pace.  It was really cool to hear one of his rare older songs played in his home prefecture!  By that point I was exhausted, so I bought a melon and hung out at the petting zoo.  I enjoyed seeing the white hens and hamster tree.  I ate some nice egg sushi from a place nearby as well (the tamago sushi here is ginormous).  Though this happened nearly three years ago, I still remember what an exhilarating experience this was!

Unfortunately I didn’t take many pictures of the park, but trust me it’s worth riding the SkyCycle for this view:

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I may come back here again with my GoPro if I have time in the future.  If you have the time, consider checking out Okayama!  It’s such an under-rated city and has much for you to discover.

Access

303-1 Shimotsuifukiage, Kurashiki, Okayama 711-0926

Admission Fee: 2800 yen (worth it because there’s hardly any wait time for the rides)

Kanazawa: The City of Gold and Miraculous Wonder

People always ask me what my favorite place to visit outside of Tokyo is—and though it’s extremely hard to for me to choose because there’s simply so many—one of my favorite destinations of all time is Kanazawa.  Kanazawa is the capital city of Ishikawa prefecture and is known for its famous seafood market, historical buildings including samurai houses, and brilliant gold architecture.  It has a rustic charm that is similar to Kyoto, but is far less touristy and is surrounded by the beautiful sea.

Kanazawa is also the birthplace of famous musical artist Nakata Yasutaka (producer of Kyary Pamyu Pamyu, capsule, and Perfume), who created his own indie music festival called OTONOKO that was held once a year from 2016-2018 (it currently if unknown when it will be held again).  The festival attracted around 200-300 people and created a close community of music lovers that had traveled from all over Japan.  It’s one of the best music festivals I’ve ever been to in Japan because it features both the experienced artists of ASOBISYSTEM and the new and upcoming talents too.  I was happy to share this experience with many friends I had met at his previous music events held in Tokyo and other cities as well as explore the famous capital that is his hometown.  There is so much to do in Kanazawa outside of the festival too!

Here’s a list I’ve compiled of all of my favorite places in Kanazawa.  You can easily spend 3 full days doing things here:

Kanazawa Castle & Kenrokuen

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Kanazawa Castle is one of my all-time favorite castles in Japan and is located right next to the famous Japanese garden Kenrokuen.  This castle is massive compared to other ones I’ve visited and you can tell a lot of detail was put its re-construction after in caught on fire in the 1600s.  I first came here in the winter when a light layer of snow had piled on top of the castle’s roof and it was extremely aesthetic.  I was glad that it was one of the first places I had visited because it’s a huge part of the city’s history.

Strolling through Kenrokuen and listening to all of my favorite music was also a huge pleasure.  It’s considered one of Japan’s “three most beautiful landscape gardens” and is the best garden of Kanazawa so you should definitely check it out if you’re here.

The castle is free to enter, and Kenrokuen’s admission is 320 yen.

21st Century Museum of Contemporary Art

I recently wrote an article on the The Top 3 Most Innovative Art & Technology Museums I’ve Been to in Asia, and the 21st Century Museum of Contemporary Art is my top pick.

What you see here might just be my favorite exhibition in the world.  The image of the pool looks like some kind of mirage or frozen frame from a vaporwave music video, but there are actually living, breathing people going about their daily routines under the waters of this pool.  You can even “dive in” and join them—but you can’t jump or use the ladder.  Instead you must reach the underwater zone from another entrance (which can easily be found by following the signs).  In addition to the pool, there are various rooms with simulations you can enter.

This museum is an important part of Kanazawa’s culture because it draws a large number of people to the city.  Its design is very modern but somehow fits in the center of Kanazawa’s historic streets because it has a beautiful outdoor park and is near the Kenrokuen Garden.  The outside of the museum has free exhibits you can see as well.

The entrance fee is 360 yen for temporary exhibitions (some exhibits are free).

Golden Ice Cream & Sake

Since Kanazawa is the city of gold, you can find all sorts of golden souvenirs here.  The golden ice cream is by far the most famous (and delicious too).  At a confectionery shop called Hakuichi, you can savor the best gold-leaf ice cream in Japan.  I went during October one year and they added an edible ghost topping too!  The gold sake is also something I bought back for home.  It tastes just like any other sake but the gold flakes inside make it look like a glittery snow globe.  My friends joke that I have eaten more gold than anyone they know, and that very well may be true.

Omicho Fish Market

The Omicho Fish Market is where you’ll find some of the freshest seafood in mainland Japan.  Kanazawa is most famous for crab, but you can find almost any other kind of fish imaginable.  My personal favorites were Kaisen Maruhidon (rice bowls with mountains of seafood on top) and the tiny servings of sea urchin sold in the stalls outside.  Most restaurants will gladly customize your orders for you and there are amazing sushi restaurants here as well.

One of my favorite memories was when Nakata Yasutaka’s first solo album Digital Native was announced the night before the festival, so my friend and I split a crab then ordered a pitcher of sangria from a restaurant below the station in celebration.  A waiter peeled a fresh avacado for us too, but I don’t actually remember what we ordered in last photo…  That just goes to show how much fun I had here!

Higashi Chaya District

The Higashi Chaya District of Kanazawa is where some of the traditional teahouses and upscale ryokan are located so it’s one of the prettiest parts of the city.  There are also cafes, souvenir shops, and a lot of interesting architecture here.  It’s a lot similar to Kyoto’s Gion district but the crowds are more evenly distributed.  I love the winding streets and also the liveliness here.  Everything seems like it was built to perfection.

I highly recommend checking out the Nomura Clan Samurai Home here because it has unique artifacts and a beautiful home garden.  The Godburger is also a nice meme.  Although haven’t eaten there yet, it’s definitely on my bucket list.

Piano of Memories (思い出ピアノ)

As I was walking underneath Kanazawa Station, I noticed a really interesting exhibit.  Here sat an ordinary piano that anyone could walk up to and play but it had an interesting concept.  People could upload videos with the hashtag “sharepiano” for others to listen to online.  I uploaded this video I took to Twitter and the pianist actually found it and was happy I captured this moment!

Kanazawa is a popular destination for both foreign and domestic tourists, but it’s spread out enough so that things like this can be heard and appreciated.

Hotsprings, Hotels, & Other Recommendations

When I first came to Kanazawa, I didn’t have a lot of money so I decided to stay at a hostel called Good Neighbors Hostel (now called Off) near the station for around 2500 yen a night.  The 2nd time I stayed at Neighbors Inn (owned by the same people) for around the same price.  Both were extremely memorable times.

The first time I met a Perfume fan from Hong Kong who had awesome stickers of all the idols on his laptop.  We became good friends during the duration of the festival and the hostel had a Death Note-inspired “Guest Note” that we wrote in (fortunately no one died).  The second time the hostel had a ball pit so I took hilarious photos of myself pregaming in it.  I always have the best time staying in this city no matter where I am.

If hostels aren’t your style, you can find a variety of cheap hotels on websites like Booking.  Additionally, if you are looking for a day hot spring I recommend Terume Kanazawa.  The admission fee is only 1100 yen.

The official after party for the festival was held at an event space called Double with two floors (one bar floor and one music floor).  It is here where the strong gather and continue to party until down.  In 2018 I managed to meet Nakata-san before he left and get me T-shirt signed.  It was on my birthday weekend so it made it extremely special:

Here is a shot of the after-party I recorded in 2018.  It truly was a time to be alive and I hope to go again if it resumes in the future:

Access

From Tokyo Station, take the Hokuriku-Shinkansen towards Kanazawa.  This takes approximately 3 hours and costs 15,000 yen one way.  Nakata Yasutaka actually designed the shinkansen departure melody for this train so it’s extremely special!

You can also fly to Komatsu Airport and take a bus to Kanazawa Station which may be cheaper unless you have the JR Rail Pass.

If you are interested in other day trips from Kanazawa, please see my Shirakawago article.

The Future Legacy of Super Dance Tools: Carpainter at Planet Cafe, Hamamatsu

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Carpainter plays a 90 minute set at EFEKT’s 7th Anniversary at Planet Cafe, Shizuoka.

During my backpacking trip to the Capybara Zoo of Japan, I spent an entire night dancing at Carpainter’s Future Legacy Tour held at Planet Cafe in Hamamatsu.  I had previously attended the album’s original release party at Contact Tokyo in December, but I wanted to travel here so I could experience the music scene in Shizuoka in addition to seeing him perform at a rare venue.  This particular event was not only a release party, but it was also combined with EFEKT’s 7th Anniversary.  In this article I will be reporting my experience at Planet Cafe and also talking about Carpainter’s latest releases: Future Legacy and Super Dance Tools Vol. 1.

Planet Cafe & EFEKT

Planet Cafe is one of the most famous music venues of Shizuoka located in the populous city of Hamamatsu.  Unlike its name implies, it has the atmosphere of an underground club instead of a cafe.  It’s divided into two rooms with one bar and one DJ booth, making it easy to listen to music and socialize with people.  I found it to be much more laidback than the typical clubs in the Tokyo scene.  The entrance fee was only 2500 yen and well worth the price for the quality of music.  The party lasted from 9pm – 5am so it was quite a long time—almost the duration of a music festival!  There was never a dull moment in the club because the music selection of all the artists was carefully chosen.

EFEKT is an “all style bass sound music” party routinely held by a group of Shizuoka-based DJs at Planet Cafe.  In addition to bass music, you can except to hear a lot of nonstop dance tracks with techno and disco influences here.  At this party in particular, I heard a lot of fire UK Garage tracks which really made me happy.  In addition to Carpainter, they have featured artists such as Licaxxx, submerse, and Chimpo at their previous events at Planet Cafe making the lineup more diverse each time.

Resident DJs: MASKAT, SADA, SUGURU, SINYA (see the EFEKT Twitter for more information).

You can hear a sample mix by MASKAT here:

Address

Planet Cafe
223-1 Motoshirocho, Naka Ward, Hamamatsu, Shizuoka 430-0946

Future Legacy Release Party in Hamamatsu

Future Legacy

Future Legacy is Carpainter’s 3rd official album defined as “The Japanese Techno Revival”.  Its 14 tracks are reminiscent to old school techno and breakbeat music with a bit of house music effects as well.  A recent DOMMUNE article mentions that Carpainter used rich and melodious synthetic sounds in the album’s production influenced by Detroit techno similar to his Orient EP.  Future Legacy also features the usage of female vocals for the first time in the track O.V.E.R. ft. Utae.  The album fuses old techno sounds with Carpainter’s own unique style making it one of the best nonstop dance releases I’ve heard in quite a long time.  I’ve enjoyed keeping up with the album’s production and would rate it quite high in terms of originality.

The album’s first track Re Genesis starts with a slow and simple build that immediately draws you in.  He used this track to open his set at Planet Cafe and it instantly got the crowd excited.  My personal favorites from this album are “Tiger & Dragon”, “Chaos or Order”, and “Declare Victory”.  A big theme of this album is the balance between looping sounds and inserting cuts and breaks to keep the dance spirit alive.  Each song has a unique way of doing this so it’s something you’ll want to keep on repeat for a while! The album ends with the previously mentioned uplifting dance track O.V.E.R. that was originally premiered at Trekkie Trax’s 7th Anniversary.  It truly is a treasure of Japan and is available worldwide:

Planet Cafe

I arrived to Planet Cafe around 11pm which gave me the perfect amount of time to drink and socialize before seeing the special guest performers.  The club attendees were a mostly a mix of Shizuoka locals and people who had traveled from Tokyo to see the event (like myself).  Though I was the only foreigner, I found it very easy to talk to people here.  The number of people that attended this was similar to the Carpainter event at Outer Kochi last year, so overall it was a good crowd and there was lots of room to dance.

Carpainter played a 90 minute set that consisted of a wide range of music including records with songs he grew up hearing in the Netherlands with his brother Seimei.  In addition to tracks from Future Legacy, he also played his previous bangers like PAM!!! and mixed it into an old style of techno music.  It was really fun to watch the crowd’s reaction because no one knew what song was coming next.  My personal favorite was this creative slip-in of “Mr. Roboto” towards the end:

In addition to Carpainter, isagen, a Shizuoka-based DJ and producer was also featured as a special guest in the lineup.  I have previously written about isagen in my LARGE SIZE article last year, but he has really grown as a skilled DJ since my last article.  In his set at Planet Cafe he played songs from his cgab release on Trekkie Trax as well as tracks I didn’t recognize (which I assume will be part of a future release).

Recently isagen has been featured on THREE THE HARDWARE, which is a unique video project started by tofubeats that demonstrates the production of DTM (desktop music) made with second hand equipment.  A recent video called THIS IS UK STUDIO explores some of the sound effects that isagen and other featured artists have made through experimentation.  This project is inspirational because it shows that you can make virtually any sound on your hardware with the right technique:

My clubbing experience in Hamamatsu was unforgettable and I hope to come back here in the future to listen to new types of music!

Super Dance Tools Vol. 1

Super Dance Tools (Vol. 1) is the latest release by Carpainter which contains 17 tracks over 5 minutes designed to be used as “tools” for DJs.  The loops with the combination of acid techno and hard techno sounds make it an addictive dance album by itself, but it sounds even better when the songs are skillfully transitioned into other songs during sets.  The album has gained international praise by artists such as Anna Lunoe, and the songs have been featured on London radio shows such as NTS.

You can listen to a preview of the album below:

A great example of Super Dance Tools being utilized is in this video of Addison Groove’s Getterfunk Takeover set where “B-Reverse” is played:

My top picks on this album are “Supernova” and “Drifting” because they have a nice build that makes me want to loop them on repeat for hours, but “1994” comes as an unexpected surprise because it ends the album on a mellow note.  I hope to see more artists use these tools to create unique sounds, and anticipate the possibility of more volumes in the future.

Final Remarks

Carpainter will always be one of my favorite artists in Japan because he has introduced me to so many styles of music through his DJ sets.  Despite being from Michigan, I had no idea what Detroit Techno sounded like until I heard him describe it in his interviews as a major influence of songs he produced for Orient and Declare Victory.  The people that I’ve met through his events continually inspire me to listen to new music and travel around Japan to experience it in different places.  I am excited to see what direction his music takes him in the future and hope that someday he fulfills his dream of debuting in the UK.  If that happens, I will definitely be looking more into the UK music scene as well!

For more information, please see:

Experiencing the Nightlife in Taiwan

Since no trip to a foreign country is complete without experiencing its nightlife, I decided to check out a few unique cocktail bars and venues in Taipei and Taichung while I was traveling in Taiwan earlier this year.  Through going to music events in Tokyo, I was fortunate to have met my friend Hojo who not only manages tours and bookings for foreign artists, but also curates in own events in Taiwan with CUSTOMS and DJs music that transcends genres (see Hojo’s SoundCloud for reference).  In Asia it’s generally easy to find bars and spots to socialize, but the scene I found here far exceeded my expectations.

At Taiwan’s venues, particularly at FINAL, the entrance fee is affordable, the cocktails and music are top-notch, and you can actually sit down with people and socialize.  A big issue with some venues in Tokyo is that they are too crowded, and although I am a club enthusiast I sometimes find it hard to relax even when I really enjoy the music.  People in Tokyo have a tendency to seek stimulation (and I am guilty as charged), but it’s very easy to get drained from the steady flow of events.  However, in Taiwan I never had that issue.  Each night I went out I was able to find the perfect atmosphere for whatever mood I was in, meet a lot of new friends, and make awesome memories that make me want to come back here in the future.

The Fucking Place (操場)

The very first bar I went to in Taipei was called The Fucking Place.  This place became a meme when Trekkie Trax toured here because one of their members got legendarily lit, so it’s been on my bucket list for quite a long time.  This bar is close to a lot of clubs in Taipei, so it makes the ideal pregaming spot.  But why the name, you ask?  Hojo explains it all in his Tweet below:

True to its name, Fucking Place’s atmosphere is cozy and welcoming.  They have a large selection of hard liquors and you can ask for your own favorite cocktail combination too.  I drank whiskey mixed with milk and reached the perfect level of drunk among good people.

The upstairs of the bar is also worth checking out because it has a mini gallery that will perhaps expand in the future:

FINAL

By far one of the best venues I’ve experienced in Asia is FINAL in Taipei.  I was at here 3 different nights during my 12 day stay in Taiwan because each night had a diverse variety of music.  This club has always been on my radar because a number of my favorite artists from Japan (including Carpainter and Onjuicy) have performed here, and Hojo also runs his own events here.  Each night I connected with different friends from around the world so I would say the scene here is very international and friendly.

By chance, Night Tempo and Neon City Records were doing a large show here on the first Friday of 2020 during my trip, so I was extremely lucky to see them here.  I have been following Night Tempo since college and attended his first HMV show in Tokyo, but recently haven’t been able to attend his events in Japan because they sell out extremely fast.  Fortunately I was able to get door tickets here and catch his amazing 2 hour performance while catching up with my friends in Taiwan.

Night Tempo’s style has really changed from sampling old Japanese songs to producing Showa era idol music and recently working with famous vocalists like Anri and Mariya Takeuchi.  He played at Fuji Rock last year in addition to touring many Asian countries and America as well.  I have met some of my best friends through his music, so I always try to catch his events whenever I can:

The very next day, Hojo hosted CUSTOMS featuring IVVVO who I met, and other aspiring international artists with a lot of talent.  As I have heard from my friends who previously attended CUSTOMS events in the US, this one was nothing short of amazing.  Each artist played whatever style of music they wanted, and no one could predict what was coming next so it was fun.  One of my favorite moments was captured below:

I would recommend FINAL to everyone because it plays and caters to all tastes of music.  The scene is here is one of the best I’ve come across in Asia and I look forward to seeing who else performs here.

The Cave

While I was in Taiching, I decided to check out this bar called The Cave because it was the other venue in Taiwan where Night Tempo toured.  I came here on a weekday so no live performer was playing, but I really appreciated the ambient atmosphere and the carefully mixed cocktails the bartender crafted for me.  I ordered one that looked like cotton candy and was coated with honey, and another delicious cherry one that was both delicious and high in alcohol content.  This was one of the best bars that I have been to in Taiwan, and I highly recommend it to everyone.  It was very cozy but perfect for the mood that I was in.

Afterwards, I decided to go on a walk to the nearby Taichung Park Pavilion.  I really appreciated the vibe of the neon lights and how bright the pavilion shone at night (I think it looks prettier at night than during the day).  Additionally I ran into so many cute dogs that were being walked here, so it was a real delight.

Round4

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We all know the lyrics to this one.

On my very last night in Taipei, I went to a small lounge called Round4 recommended by Hojo.  Since it was a weeknight it wasn’t very crowded, but the bartenders gave us the best hospitality.  A bartender named Jimmy came out and talked to us, and also made special coffee cocktails that I’ll never forget.  I really like it when the bartenders make an effort to connect with their visitors, so this is a place I’d like to drink at again because it has good vibes.

Which raises the question…

Will I return to Taiwan in the future?

Since it’s right next door to Japan, I would say there is a very high chance that I will return.  I had a phenomenal time both experiencing the night life and spending time with nature in this country.  There will be a music festival held at a temple this year that I am considering coming back for.  Once the dates are decided, I may buy another plane ticket depending on my schedule.  The life of a traveler who also loves clubbing is never complacent.

Can you show me a miracle? // Madeon Good Faith Tour in Tokyo

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Can you show me a miracle?

Last month I was lucky enough to purchase tickets to Madeon’s Good Faith tour in Tokyo (held at Akasaka Blitz).  The event was so popular that tickets sold out in a matter of 10 minutes, but fortunately through a lot of refreshing on the Lawson Ticket site I was able to buy a standing ticket.  The standing tickets are the best in my opinion, because you’re able to get close to the stage and dance!

Though I lived in America for many years, this was the first time I had ever seen Madeon live.  His performance was such an emotional ride that it’s hard to describe with words, but I was filled with nostalgia and inspiration as I watched him pour his every being into his music.  The visuals were stunning, and perfectly matched the theme of each song.  In addition to songs from Good Faith, he sang nostalgic songs like Shelter and played a number of live edits that took careful precision and timing.  In fact, he put so much into this performance that he was nearly out of breath at the end, but he kept on singing for all of us.

Some of my favorite visuals are the ones shown below:

Good Faith has a lot of highs and lows, and the visuals were carefully designed to reflect that.  Similar to Porter Robinson’s shows, the visuals shift with the feeling of the song.  Some of them are very complex with intense motion, while others are very still and soft.  The show really is a trip and I think everyone can find something that they relate with here [as he intended].

If you haven’t listened to Good Faith yet, please take the chance to when you have time.  You won’t be disappointed.  My favorite song is “Miracle” because it deals with working out a lot of complex emotions (fear, anxiety, hopelessness), but delivers a powerful meaning.  All of the songs are beautiful and combine a mixture of piano, synth, and electronic sounds.  Seeing him play on the piano nearly brought me to tears because it was so beautiful.

For more videos, please see my Instagram:

I hope to attend many more shows like this in the future!