The Future Legacy of Super Dance Tools: Carpainter at Planet Cafe, Hamamatsu

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Carpainter plays a 90 minute set at EFEKT’s 7th Anniversary at Planet Cafe, Shizuoka.

During my backpacking trip to the Capybara Zoo of Japan, I spent an entire night dancing at Carpainter’s Future Legacy Tour held at Planet Cafe in Hamamatsu.  I had previously attended the album’s original release party at Contact Tokyo in December, but I wanted to travel here so I could experience the music scene in Shizuoka in addition to seeing him perform at a rare venue.  This particular event was not only a release party, but it was also combined with EFEKT’s 7th Anniversary.  In this article I will be reporting my experience at Planet Cafe and also talking about Carpainter’s latest releases: Future Legacy and Super Dance Tools Vol. 1.

Planet Cafe & EFEKT

Planet Cafe is one of the most famous music venues of Shizuoka located in the populous city of Hamamatsu.  Unlike its name implies, it has the atmosphere of an underground club instead of a cafe.  It’s divided into two rooms with one bar and one DJ booth, making it easy to listen to music and socialize with people.  I found it to be much more laidback than the typical clubs in the Tokyo scene.  The entrance fee was only 2500 yen and well worth the price for the quality of music.  The party lasted from 9pm – 5am so it was quite a long time—almost the duration of a music festival!  There was never a dull moment in the club because the music selection of all the artists was carefully chosen.

EFEKT is an “all style bass sound music” party routinely held by a group of Shizuoka-based DJs at Planet Cafe.  In addition to bass music, you can except to hear a lot of nonstop dance tracks with techno and disco influences here.  At this party in particular, I heard a lot of fire UK Garage tracks which really made me happy.  In addition to Carpainter, they have featured artists such as Licaxxx, submerse, and Chimpo at their previous events at Planet Cafe making the lineup more diverse each time.

Resident DJs: MASKAT, SADA, SUGURU, SINYA (see the EFEKT Twitter for more information).

You can hear a sample mix by MASKAT here:

Address

Planet Cafe
223-1 Motoshirocho, Naka Ward, Hamamatsu, Shizuoka 430-0946

Future Legacy Release Party in Hamamatsu

Future Legacy

Future Legacy is Carpainter’s 3rd official album defined as “The Japanese Techno Revival”.  Its 14 tracks are reminiscent to old school techno and breakbeat music with a bit of house music effects as well.  A recent DOMMUNE article mentions that Carpainter used rich and melodious synthetic sounds in the album’s production influenced by Detroit techno similar to his Orient EP.  Future Legacy also features the usage of female vocals for the first time in the track O.V.E.R. ft. Utae.  The album fuses old techno sounds with Carpainter’s own unique style making it one of the best nonstop dance releases I’ve heard in quite a long time.  I’ve enjoyed keeping up with the album’s production and would rate it quite high in terms of originality.

The album’s first track Re Genesis starts with a slow and simple build that immediately draws you in.  He used this track to open his set at Planet Cafe and it instantly got the crowd excited.  My personal favorites from this album are “Tiger & Dragon”, “Chaos or Order”, and “Declare Victory”.  A big theme of this album is the balance between looping sounds and inserting cuts and breaks to keep the dance spirit alive.  Each song has a unique way of doing this so it’s something you’ll want to keep on repeat for a while! The album ends with the previously mentioned uplifting dance track O.V.E.R. that was originally premiered at Trekkie Trax’s 7th Anniversary.  It truly is a treasure of Japan and is available worldwide:

Planet Cafe

I arrived to Planet Cafe around 11pm which gave me the perfect amount of time to drink and socialize before seeing the special guest performers.  The club attendees were a mostly a mix of Shizuoka locals and people who had traveled from Tokyo to see the event (like myself).  Though I was the only foreigner, I found it very easy to talk to people here.  The number of people that attended this was similar to the Carpainter event at Outer Kochi last year, so overall it was a good crowd and there was lots of room to dance.

Carpainter played a 90 minute set that consisted of a wide range of music including records with songs he grew up hearing in the Netherlands with his brother Seimei.  In addition to tracks from Future Legacy, he also played his previous bangers like PAM!!! and mixed it into an old style of techno music.  It was really fun to watch the crowd’s reaction because no one knew what song was coming next.  My personal favorite was this creative slip-in of “Mr. Roboto” towards the end:

In addition to Carpainter, isagen, a Shizuoka-based DJ and producer was also featured as a special guest in the lineup.  I have previously written about isagen in my LARGE SIZE article last year, but he has really grown as a skilled DJ since my last article.  In his set at Planet Cafe he played songs from his cgab release on Trekkie Trax as well as tracks I didn’t recognize (which I assume will be part of a future release).

Recently isagen has been featured on THREE THE HARDWARE, which is a unique video project started by tofubeats that demonstrates the production of DTM (desktop music) made with second hand equipment.  A recent video called THIS IS UK STUDIO explores some of the sound effects that isagen and other featured artists have made through experimentation.  This project is inspirational because it shows that you can make virtually any sound on your hardware with the right technique:

My clubbing experience in Hamamatsu was unforgettable and I hope to come back here in the future to listen to new types of music!

Super Dance Tools Vol. 1

Super Dance Tools (Vol. 1) is the latest release by Carpainter which contains 17 tracks over 5 minutes designed to be used as “tools” for DJs.  The loops with the combination of acid techno and hard techno sounds make it an addictive dance album by itself, but it sounds even better when the songs are skillfully transitioned into other songs during sets.  The album has gained international praise by artists such as Anna Lunoe, and the songs have been featured on London radio shows such as NTS.

You can listen to a preview of the album below:

A great example of Super Dance Tools being utilized is in this video of Addison Groove’s Getterfunk Takeover set where “B-Reverse” is played:

My top picks on this album are “Supernova” and “Drifting” because they have a nice build that makes me want to loop them on repeat for hours, but “1994” comes as an unexpected surprise because it ends the album on a mellow note.  I hope to see more artists use these tools to create unique sounds, and anticipate the possibility of more volumes in the future.

Final Remarks

Carpainter will always be one of my favorite artists in Japan because he has introduced me to so many styles of music through his DJ sets.  Despite being from Michigan, I had no idea what Detroit Techno sounded like until I heard him describe it in his interviews as a major influence of songs he produced for Orient and Declare Victory.  The people that I’ve met through his events continually inspire me to listen to new music and travel around Japan to experience it in different places.  I am excited to see what direction his music takes him in the future and hope that someday he fulfills his dream of debuting in the UK.  If that happens, I will definitely be looking more into the UK music scene as well!

For more information, please see:

“Success is the Best Revenge”: Witnessing Pasocom Ongaku Club’s Night Flow Tour in Hiroshima

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Pasocom Ongaku Club performs live at ONDO in Hiroshima, Japan.

At the beginning of the month I traveled all the way from Tokyo to Hiroshima in order to attend two events that were part of Pasocom Ongaku Club’s Night Flow Album Release Tour.  The first was held at Mondo Cafe in Fukuyama, and the second was at a food and music venue called ONDO in central Hiroshima.  in the blue shirt—who is one of my favorite indie electronic producers in Japan—was also a part of this Hiroshima tour so I was ecstatic to go on this trip!

Hiroshima is typically a place where people go to visit historical sights, so before my arrival I had no idea what the nightlife was like.  I was pleasantly surprised to see how interactive the music scene is here.  Not only did the quality of music and talent of the artists exceed my expectations, but I also have fond memories from both events because they connected me with a lot of different people.  I also had the experience to see rare parts of Japan, so coming here was worth all of the time and effort.

In my previous articles, I covered how to travel around Hiroshima and Fukuyama, so in this article I will be writing a detailed report on the music producers that I saw here.

Who is Pasocom Ongaku Club?

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Pasocom Ongaku Club (パソコン音楽クラブ in Japanese; also stylized “Pasocom Music Club” in English) is a unit formed in 2015 focused on creating desktop music (DTM) of the new age.  They have an adorable dog mascot named Maron (マロン) that appears in a lot of their photos and merchandise.  Pasocom Ongaku Club have performed at numerous venues in Japan and utilize modules and digital synthesizers like the Roland SC series and Yamaha MU series to create 90s style music.  They have also participated in music production and remixes with other artists, commercials, and a wide range of other activities.
Official Website

A Brief Timeline of Pasocom Ongaku Club’s Releases:

  • 2015: The unit was formed and started uploading DTM tracks on their Soundcloud.
  • 2017: Released their first major album “PARKCITY” on Maltine Records.  Also self-released a miscellaneous album “SHE IS A“.
  • 2018: “DREAM WALK” and “DREAM WALK REMIXES” were released and extremely well-received, gaining them a lot of recognition.  They also released their CONDOMINIUM. – Atrium Plants EP.
  • 2019: “Night Flow” and “Night Flow Remixes” were released with critical acclaim.  Arranged “Pokémon Shiritori” (ポケモンしりとり)━the ending for the latest Pokémon anime based on the games Sword/Shield.  The group of children singing the lyrics to their song are called “Pokémon Ongaku Club”.

One of the most popular Pasocom Ongaku Club songs out right now is “reiji no machi” which features lovely vocals by Inoue Warabi:

I first saw Pasocom Ongaku Club in 2018 at a music/Q&A event called “ゆパ交流戦” in Osaka.  I was very impressed by their music production method and how they sang through what looks like a talk box to record some of their vocals.

The event was held again this year [2019] with a slightly different lineup.  I could not attend the event this year because I was in Korea, but the highlights were uploaded to in the blue shirt’s YouTube channel.

Who is in the blue shirt?

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Born in 1991, “in the blue shirt” is the solo project of a trackmaker named Arimura Ryo who currently resides in Osaka.  He started creating music in 2012 and also has managed sound production for commercials and web advertisements.  Released his 2nd album, “Recollect the Feeling” in April of this year.  Recently he has been organizing a recurring trackmaker/DTM workshop event called “Potluck Lab” and working on his own vlog series tentatively titled “Travels in the blue“.
Official Website

*I have previously written about this artist and his music in my Kaga Onsen Festival and Kyoto Metro LARGE SIZE articles.

A Brief Timeline of in the blue shirt’s Releases:

  • 2012: First started producing music━early demos and samples of his work can be found on his Soundcloud.
  • 2013-2014: First EP “Impasse” was released.  Worked on various compilations and remixes; most notably a remix of Porter Robinson’s “Flicker” on “Re:Flicker“.
  • 2015:toward morning” is self-released, and mini-album “Cyanotype” is released on Maltine Records.
  • 2016: First official album “Sensation of Blueness” is released on Trekkie Trax with much success.  Tracks are also featured on “Trekkie Trax The Best 2012-2015“.
  • 2019: Created a trackmaker/DTM workshop event called “Potluck Lab” held in Kyoto.  Releases 2nd album “Recollect the Feeling” and all vinyls sell out.  Preview of new EP is teased on Twitter.

in the blue shirt also released a remix of “reiji no machi” on “Night Flow Remixes”:

The First Night: At Mondo Cafe

After seeing all of Hiroshima’s major sights, I arrived at Mondo Cafe in Fukuyama around midnight.  This was my first time ever going to a music event in Hiroshima so I was a bit nervous by myself, but I was happy to see that some of my friends I had met at Kyoto Metro were here too!  It had been several months since I had last saw them so drinking together and catching up was a very pleasant time.  Some nice boys from Hiroshima also bought me drinks and I was grateful for their hospitality.

Though I didn’t know many of the local Fukuyama DJs, all of them had great talent.  The night was a mix of DTM, disco house, electronic, indie, and funk music.  During the event I tried to make conversation with other people, but the music was so good I didn’t want to leave the dancefloor!!

Pasocom Ongaku Club’s set consisted of their own custom intro, hit tracks Night Flow, and some nostalgic tracks from PARKCITY like “oldnewtown”.  It was very refreshing to see how much they had improved since I first saw them over a year ago!  I recommend their music to everyone.

in the blue shirt’s set consisted of many different genres; his own songs released on Sensation of Blueness, Recollect the Feeling, and toward morning were mixed in with songs from other international artists.  He also played “Don’t Wanna Fall in Love” by KYLE, “Nishio 2” by Lemaitre, and “Whatever You Want” by 95 Royale━which is one of my favorite house tracks of all time!  This is one of the best in the blue shirt performances I had ever seen!

By the end of the night I was filled with happiness and inspiration from all of the amazing tracks I had danced to that night.  It was extremely hard to sleep, but I managed to get a few hours in before the next event on Sunday.

Address

モンドカフェ
〒720-0077 1 Chome-9-21 Minamihonjo, Fukuyama, Hiroshima

The Second Night: At ONDO

The second event was on a Sunday evening so it started early around 6pm.  Much like Mondo Cafe, this event space was very homey but well-suited for the event.  Most of the people from last night also came here, so I had the chance to talk to some of the DJs and also see my friends again.  I was very grateful for everyone’s kindness and the hard work put into this event.  It felt more like a house party than a club event!

What made this event extremely unique was that Pasocom Ongaku Club dropped “Pokémon Shiritori” in one of their sets for the very first time.  The composition of this song is brilliant because they sampled the Pokémon Center healing SFX.  You can see the video I captured of it (this is one of my most-viewed videos):

Additionally, the VJ here was very talented.  The series of flashing logos and animations was the perfect level of stimulation for this kind of event.  The lighting at Mondo Cafe was ambient and soothing, but I liked the way ONDO was set up even more.

in the blue shirt’s set was once again filled with a high level of energy and precise mixing of multiple genres.  This set had his famous song “Seven Bridge” on it that made the club go insane as well as several tracks that I did not recognize.  I am now even more excited to hear the new EP he is working on!  I was really fortunate to talk with him and buy one of the few remaining vinyls of Recollect the Feeling.  He signed it with my name on it too!  I left the venue with a very good feeling.

Afterwards, I went to a lovely Chinese restaurant with some of my female friends.  It was so nice to catch up after all this time had passed and share these moments together.

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The last supper in Hiroshima.

Address

音楽食堂 ONDO
〒730-0026 Hiroshima, Naka Ward, Tanakamachi, 6−3, ​音戸温泉ビル

Final Remarks

Traveling around Japan for music events has been extremely rewarding for me.  I’ve learned much about the world, the people, and the culture of different prefectures of this country through music, and I’ve still got much to learn!  I go to clubs and events in Tokyo almost every week, but the atmosphere of the venues in Hiroshima and Kyoto are much more welcoming.  The artists and listeners are able to connect so much more freely with this type of event.  I will cherish all of the memories that I made here.

I do not have any big trips planned for the rest of the year, but I am planning to go to Nagoya in 2020.  Please stay tuned for more updates, and thank you always for reading. ♡

Seeing in the blue shirt at Kaga Onsen Festival After Party

kagaonOn July 20th, directly after my crazy backpacking trip in Hokkaido, I decided to take a plane from Sapporo to Komatsu airport, where I ventured off to the hot springs town known as Kaga for its yearly music festival.  As a music enthusiast, this was a rare opportunity that I didn’t want to pass up!

About Kaga Onsen Festival

Kaga Music Festival is one of the biggest original music festivals in Ishikawa Prefecture, Japan, and has a total of 7 stages (some being lounges and some being club stages).  The genre of the festival is mostly electronic, pop, and rock music, though I noticed that there were a number of indie artists that appeared at the after party this year, including one of my favorites from Kyoto City: in the blue shirt.

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in the blue shirt playing a live set at the official Kaga Onsen after party.

Though I was unable to attend the main festival due to time constraints, my experience at the after party made my trip here more than worth it.  If you are looking for a festival that is unique to Japan and isn’t over-crowded like Fuji Rock or Summer Sonic, then this is definitely a solid choice.  Kaga Music Festival has enough variety to keep you interested, but the music lineup doesn’t ever feel overwhelming and you can see almost everything you want.  As an added bonus, there are many hot springs nearby that you can visit on the way home!

Getting to the Venue

To get to Kaga Music Festival, it is recommended to take a bullet train from Tokyo to Kanazawa then take a local train to Kaga Onsen Festival where you can catch a free bus to the main venue.  You can alternatively fly to Komatsu airport and take a local train there like I did.  This is a cheaper option, but the number of flights are limited due to how remote the area is.

Most of the accommodations by Kaga Onsen Station are quite expensive, so I booked a cheap room by the nearby Daishoji Station.  After getting settled, I headed over to the main venue which was called Rurikoh, then walked to the after party located called Mori no Sumika Resort & Spa.  The entrance fee at the door was 3000 yen with one drink.

Attending the After Party

The inside of the venue was absolutely stunning with flattering neon lights, a relatively large indoor stage, and an outdoor pool area you could go swimming in.  The crowd here was mostly Japanese in their early 20s or 30s, but I saw a few foreigners walking outside the area.  After checking out the venue, I immediately grabbed a vodka tonic and went to see the first performing artist.

The first artist was an electronic music producer called Yackle, and I caught their performance right as they were mixing a capsule song into a Nakata Yasutaka song, which was perfect timing because those are two of my personal favorites.  This producer mixes a lot of different genres and makes their own edits so they are extremely fun to watch!  Yackle has recently released an album called Frank Throw which features beautiful vocals and a mix of trap and bass music elements.  This was my first time seeing one of there performances and it was an extremely fun experience.

in the blue shirt played his live set immediately after which consisted of a unique blend of vocal chops and remixes of his own songs, as well as other artists like Pasocom Ongaku Club:

This set was extremely exciting for me, because I haven’t seen in the blue shirt since Large Size in Kyoto which was nearly 5 months ago.  Some of the people that attended that event recognized me here and pulled me to the front of the stage!  I was extremely flattered to see that they remembered me and enjoyed dancing with everyone.

Recollect the Feeling

In April in the blue shirt released his latest album called Recollect the Feeling which is growing to become a respected indie release in the music scene.  With its harmonic and compelling use of electronic samples that are intricately spliced in what appears to be its own language, this album definitely leaves a tremendous impact on the listener. Consisting of both English and Japanese lyrics, each song has an abstract yet nostalgic feel to it using indie electronic and triphop music styles, along with a variety of synths and instruments.  Though some of the songs are short (under 2 minutes), when the album is played as a whole it takes your mind on an unforgettable journey through time.  It’s still too early to say if I like this album more than Sensation of Blueness, but it is a polished release that I truly feel was worth waiting for.

On the latest album, I think “Casual Remark”, “Good Feeling”, and “Bamboo Leaf” are my favorites because they are great to listen to when exploring new places—I feel like I’m completely in my own aesthetic world when I listen to them.  I believe his personal best work is “Cast Off” as it was the first song officially released and has the most consistent composition, but it’s really hard to choose because the album is best listen to as a whole. What’s amazing is most of these songs were played on his sets as WIPs/transitions since 2017 and it’s amazing to see them completed now.

Overall I’m really happy for this artist because they’ve managed to accomplish everything that is most important in album production: they’ve delivered a compelling album with quality merchandise, collaborated and done shows with other artists I really like, uploaded previews and mixes so we know what’s coming, continually have showed their progress, and seemingly created a new record label / collective called The Wonder Laundry.  I’m so happy to have kept up with them through the whole entire release process and see them playing at big festivals now!

Other Recommendations

Of the other performing artists, I also recommend checking out PARKGOLF, Tomggg, and Avec Avec.  All of them have unique electronic styles and are respected performers I have seen at various events in Japan.  I spent the rest of the after party socializing with friends that I met and hanging out by the pool, but here are some of my favorite tracks that I recommend:

I will consider attending the main festival next year if more of my favorite artists continue to make appearances.  I am excited to attend more unique music events similar to Kaga Onsen Festival this summer!

LARGE SIZE at Kyoto Metro

Last weekend, I traveled all the way from Tokyo to Kyoto to attend a thrilling electronic music event called LARGE SIZE at the underground music club Kyoto Metro.  LARGE SIZE not only featured Japanese indie artists from the Kansai region (Kyoto and Osaka), but also Trekkie Trax Crew from Tokyo, and isagen (the event organizer) from Shizuoka, Japan, along with a selection of other talented music producers from around the area.

Located in the basement Jingu-Marutamachi Station of Kyoto City, this was a highly-anticipated event that united many music fans from all over Japan because it showcased talent from some of the most well-known independent record labels and underground artists that are currently trackmaking and producing music.  In this article, I aim to introduce the artists I saw and write recommendations of their music in English.

The original timetable for this event was listed below (note that “Carpainter” is actually the correct spelling of the artist listed at 17:30).  The event lasted for approximately 5 hours, and tickets were originally sold at 2800 yen (purchasable online, and for extra money at the door):

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Arriving at close to the start of the event, I was luckily able to see the majority of isagen’s 50 minute set.  isagen produces his own desktop music, DJs at events, and also is the trackmaker for his band unit called POLPTOM.  In 2018, isagen released an EP on Trekkie Trax called c.b.a.g, which you can listen to on his Soundcloud below:

Though this EP is tagged as dance and EDM, you can tell from the very beginning that it is not the typical kind of dance music you expect!  isagen’s music really has a unique vibe sounding both progressive and abstract at the same time.  As the event organizer, he did an amazing job of making the crowd excited and earning the respect of other artists, even though he was the opener!  I was surprised to see the club was already crowded at opening time, and the majority of people there had their full attention directed at his performance.  Though I have seen isagen perform in Tokyo before, I could tell that he put a lot of work into ensuring that this was one of his best performances yet!

The next artist was one of my personal favorites, in the blue shirt from Kyoto City.  Having previously announced the release of his new album in April via Twitter, everyone was surprised to see him open with his own banger remix of “If I ain’t got you” by Alicia Keys and then mix his newly produced music into it:

in the blue shirt will always be one of my top artists because he puts so much of himself into his music, and each time her performs he plays exclusive and unreleased songs that you can only hear during his performances.  His music will make you feel nostalgic, energized, moved, and inspired at the same time.  Using a complex range of samples and chords, below is one of my favorite mixes he has uploaded to his Soundcloud:

Another reason I love in the blue shirt is because he designs a lot of his own merchandise. His sticker is an adorable digital drawn mascot that resembles Parappa the Rapper, and his clothes feature a blue shirt logo he created himself with Adobe Illustrator:

Since his performances are relatively rare, I always pick up his merchandise whenever I get the chance!  Not only is it fashionable, but it is also comfortable and a truly magnificent display of aesthetic art.  I was extremely grateful to see this set before the official promotion of his new album!

Next up was Pasocon Music Club (パソコン音楽クラブ) who played an absolutely amazing acid techno set.  They are a duo that write a lot of desktop music resembling nostalgic game music, but recently they have been trying out a variety of styles.  People around me went really hard during their set and I enjoyed seeing them for the 2nd time!  Previously I saw them at an event called STRUCT in Osaka, and it was amazing because people remembered me (as one of the few foreigners) that attended!  Here is one of my favorite releases Pasocon Music Club has had on Maltine Records:

Though I was already mindblown from the high quality of music I had already witnessed, this was still just the very beginning of the fantastic sets I was about to hear.  Carpainter‘s live set featuring songs from his recently released Declare Victory EP (which was officially on-sale the day before LARGE SIZE), was absolutely earth-shattering!  I will write a separate review for Declare Victory at a later time, but for now here is the featured track which I recorded below:

Though this EP was just recently released, Carpainter has had this music produced for a while now.  During Trekkie Trax’s 6th Anniversary on the weekend of Halloween, he played a set that was entirely breakbeat, techno, and old school rave-styled with a bunch of tracks that he would later release February of 2019.  What’s even more amazing is that Virtual Self dropped Carpainter’s “Sylenth Warrior” along with Otira’s remix of “Mission Accepted” at their set in the US just less than a week before they came out:

Watching this all unfold at an underground club outside of Tokyo was an amazing experience!  I enjoyed the change of scenery and also meeting new friends that shared similar tastes and feelings about these artists.  I connect to Japanese people best by listening to music and sharing these exciting experiences with them!

After Carpainter, batsu, an artist from Osaka, began his set with Carpainter’s “EXCITE” and immediately set the crowd into a unanimous cheer:

Batsu is a producer that is really good at mixing and engaging the audience.  I have seen him perform various times in both Tokyo and Kansai, and his mixes are always upbeat and easy to dance to while paying homage to various artists.  Just recently he posted his own WIP of “Face my Fears” from Kingdom Hearts, and also did a mix for Trekkie Trax Radio featuring a ton of artists from this event.  He was overall an essential artist in making this event a huge success!

After Batsu’s energized set, everyone’s favorite crew, Trekkie Trax, made their appearance onstage (consisting of andrew, Carpainter, Seimei, and futatsuki):

In this set, Trekkie Trax played a lot of music from their own artists including Carpainter Qrion, Cola Splash, and also premiered part of their label’s upcoming release of “Trip” by Native Rapper.  My personal favorite part of their set was when andrew mixed a KiNK song into “Quick Turn” by Qrion.  By this time, everyone was jumping up and down and cheering, because this was the first time that Trekkie Trax has ever played at Kyoto Metro, and it was an extremely memorable set!

The last artist that performed was metome, an original music producer from Osaka.  This was my very first time listening to them so it is difficult for me to write a proper review, but similar to isagen, they seem to produce a lot of abstract music with unique sampling that bends your mind.  It was neat because the event ended with a similar vibe to how it started.  This is my favorite song from their Soundcloud:

Overall, I really enjoyed this event because it was very organized, all of the artists played with their maximum effort, and it was easy to talk to people and make friends.  I love to go to events outside of Tokyo as much as I can so I can be exposed to different types of music and learn more about the world around me.  I will definitely come back to Metro and travel to other underground clubs in Japan in the near future.  Please stay tuned for more music news and adventures!

Carpainter – Orient Review: A Soothing Sensation of Techno for the Soul

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Very recently, Carpainter from Trekkie Trax (Tokyo’s beloved independent record label) released a new EP called “Orient” with roots stemming from Detroit Techno and UK Garage/Funk.  The EP contains two songs; the first titled “Orient” and the second titled “Mottled Pattern”.  Collectively they are composed with upbeat, inspiring melodies that are true to their influences, and are very reflective of Carpainter’s ability of an artist.

What I like most about these songs are they can be listened to in any setting–such as a club, a lounge, or even at home in your room.  While listening to this EP, I definitely feel a funky vibe that is overall upbeat and easy to dance too, but simultaneously, the intricate composition makes you feel reflective and contemplative of life.  It is music that is soothing for the soul, much like classic Detroit Techno:

Orient is a song with an intro that sounds similar to the songs that Carpainter produced on his Returning album, but quickly transforms into an extremely unique and funky melody full of energy.  The clashing techno sounds in the middle of the song make it very compelling to listen to, but the drums in the background make the song consistent.  It is evident he carefully chose the timing of the techno chords and electronic components of the song, and much like Detroit techno, this song possesses a lot of spirituality combined with technology.  What I find amazing is that not many people in Japan are familiar with Detroit techno, but this artist has a firm grasp on how to produce it.

In contrast, Mottled Pattern sounds like it had more of an acid techno and liquid house influence, but much like Orient, the percussion and synthetic beats make it a consistent song that is still very funky.  Much like a pattern that is “mottled” or unclear, the song is ambiguous in nature. It sounds like liquid techno at first, then has unexpected spaceship-like SFX in the middle which make it very peculiar.  However, this is Carpainter’s distinctive style, and what makes him stand out as an artist.  Overall, I like this song just as much as I like Orient because Carpainter put so much of himself into it, yet you can tell he had various techno influences as mentioned above.

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Though I have many positive things to say about this EP, my biggest criticism is it doesn’t actually reflect how much as he has grown as an artist.  In less than one year, Carpainter has done amazing things like open for Virtual Self in Tokyo, tour in Taiwan with the rest of Trekkie Trax, and also has performed at extremely reputable clubs in Tokyo while studying music and building a following of loyal fans.  I have witnessed him perform at techno, anime song, and house events as well as open for foreign performers that come to Japan, and in this single year of 2018 he has improved his abilities more than what this EP reflects.

One reason I love Carpainter as an artist is because he has played more genres than anyone else on his label, and has challenged himself to create music that is much different than what your normally hear from other Japanese artists.  However, if you don’t actively follow his club events and only listen to his music online, then you won’t know how much he’s grown as a producer since his last album (Returning, released in 2017).

Fortunately, Trekkie Trax has premiered more of Carpainter’s unreleased exclusive songs on their radio show, so hopefully Orient is part of a larger and more epic release.  Additionally, the reason of why he chose sunflowers as his cover art remains up to the listener to perceive (and will hopefully be elaborated on in a future interview)!

If you like artists like Lone, Ken Ishii, Disclosure, and various UK Garage artists, then I definitely recommend that you listen to it!

Support Carpainter’s Orient EP through Bandcamp here!