“Success is the Best Revenge”: Witnessing Pasocom Ongaku Club’s Night Flow Tour in Hiroshima

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Pasocom Ongaku Club performs live at ONDO in Hiroshima, Japan.

At the beginning of the month I traveled all the way from Tokyo to Hiroshima in order to attend two events that were part of Pasocom Ongaku Club’s Night Flow Album Release Tour.  The first was held at Mondo Cafe in Fukuyama, and the second was at a food and music venue called ONDO in central Hiroshima.  in the blue shirt—who is one of my favorite indie electronic producers in Japan—was also a part of this Hiroshima tour so I was ecstatic to go on this trip!

Hiroshima is typically a place where people go to visit historical sights, so before my arrival I had no idea what the nightlife was like.  I was pleasantly surprised to see how interactive the music scene is here.  Not only did the quality of music and talent of the artists exceed my expectations, but I also have fond memories from both events because they connected me with a lot of different people.  I also had the experience to see rare parts of Japan, so coming here was worth all of the time and effort.

In my previous articles, I covered how to travel around Hiroshima and Fukuyama, so in this article I will be writing a detailed report on the music producers that I saw here.

Who is Pasocom Ongaku Club?

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Pasocom Ongaku Club (パソコン音楽クラブ in Japanese; also stylized “Pasocom Music Club” in English) is a unit formed in 2015 focused on creating desktop music (DTM) of the new age.  They have an adorable dog mascot named Maron (マロン) that appears in a lot of their photos and merchandise.  Pasocom Ongaku Club have performed at numerous venues in Japan and utilize modules and digital synthesizers like the Roland SC series and Yamaha MU series to create 90s style music.  They have also participated in music production and remixes with other artists, commercials, and a wide range of other activities.
Official Website

A Brief Timeline of Pasocom Ongaku Club’s Releases:

  • 2015: The unit was formed and started uploading DTM tracks on their Soundcloud.
  • 2017: Released their first major album “PARKCITY” on Maltine Records.  Also self-released a miscellaneous album “SHE IS A“.
  • 2018: “DREAM WALK” and “DREAM WALK REMIXES” were released and extremely well-received, gaining them a lot of recognition.  They also released their CONDOMINIUM. – Atrium Plants EP.
  • 2019: “Night Flow” and “Night Flow Remixes” were released with critical acclaim.  Arranged “Pokémon Shiritori” (ポケモンしりとり)━the ending for the latest Pokémon anime based on the games Sword/Shield.  The group of children singing the lyrics to their song are called “Pokémon Ongaku Club”.

One of the most popular Pasocom Ongaku Club songs out right now is “reiji no machi” which features lovely vocals by Inoue Warabi:

I first saw Pasocom Ongaku Club in 2018 at a music/Q&A event called “ゆパ交流戦” in Osaka.  I was very impressed by their music production method and how they sang through what looks like a talk box to record some of their vocals.

The event was held again this year [2019] with a slightly different lineup.  I could not attend the event this year because I was in Korea, but the highlights were uploaded to in the blue shirt’s YouTube channel.

Who is in the blue shirt?

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Born in 1991, “in the blue shirt” is the solo project of a trackmaker named Arimura Ryo who currently resides in Osaka.  He started creating music in 2012 and also has managed sound production for commercials and web advertisements.  Released his 2nd album, “Recollect the Feeling” in April of this year.  Recently he has been organizing a recurring trackmaker/DTM workshop event called “Potluck Lab” and working on his own vlog series tentatively titled “Travels in the blue“.
Official Website

*I have previously written about this artist and his music in my Kaga Onsen Festival and Kyoto Metro LARGE SIZE articles.

A Brief Timeline of in the blue shirt’s Releases:

  • 2012: First started producing music━early demos and samples of his work can be found on his Soundcloud.
  • 2013-2014: First EP “Impasse” was released.  Worked on various compilations and remixes; most notably a remix of Porter Robinson’s “Flicker” on “Re:Flicker“.
  • 2015:toward morning” is self-released, and mini-album “Cyanotype” is released on Maltine Records.
  • 2016: First official album “Sensation of Blueness” is released on Trekkie Trax with much success.  Tracks are also featured on “Trekkie Trax The Best 2012-2015“.
  • 2019: Created a trackmaker/DTM workshop event called “Potluck Lab” held in Kyoto.  Releases 2nd album “Recollect the Feeling” and all vinyls sell out.  Preview of new EP is teased on Twitter.

in the blue shirt also released a remix of “reiji no machi” on “Night Flow Remixes”:

The First Night: At Mondo Cafe

After seeing all of Hiroshima’s major sights, I arrived at Mondo Cafe in Fukuyama around midnight.  This was my first time ever going to a music event in Hiroshima so I was a bit nervous by myself, but I was happy to see that some of my friends I had met at Kyoto Metro were here too!  It had been several months since I had last saw them so drinking together and catching up was a very pleasant time.  Some nice boys from Hiroshima also bought me drinks and I was grateful for their hospitality.

Though I didn’t know many of the local Fukuyama DJs, all of them had great talent.  The night was a mix of DTM, disco house, electronic, indie, and funk music.  During the event I tried to make conversation with other people, but the music was so good I didn’t want to leave the dancefloor!!

Pasocom Ongaku Club’s set consisted of their own custom intro, hit tracks Night Flow, and some nostalgic tracks from PARKCITY like “oldnewtown”.  It was very refreshing to see how much they had improved since I first saw them over a year ago!  I recommend their music to everyone.

in the blue shirt’s set consisted of many different genres; his own songs released on Sensation of Blueness, Recollect the Feeling, and toward morning were mixed in with songs from other international artists.  He also played “Don’t Wanna Fall in Love” by KYLE, “Nishio 2” by Lemaitre, and “Whatever You Want” by 95 Royale━which is one of my favorite house tracks of all time!  This is one of the best in the blue shirt performances I had ever seen!

By the end of the night I was filled with happiness and inspiration from all of the amazing tracks I had danced to that night.  It was extremely hard to sleep, but I managed to get a few hours in before the next event on Sunday.

Address

モンドカフェ
〒720-0077 1 Chome-9-21 Minamihonjo, Fukuyama, Hiroshima

The Second Night: At ONDO

The second event was on a Sunday evening so it started early around 6pm.  Much like Mondo Cafe, this event space was very homey but well-suited for the event.  Most of the people from last night also came here, so I had the chance to talk to some of the DJs and also see my friends again.  I was very grateful for everyone’s kindness and the hard work put into this event.  It felt more like a house party than a club event!

What made this event extremely unique was that Pasocom Ongaku Club dropped “Pokémon Shiritori” in one of their sets for the very first time.  The composition of this song is brilliant because they sampled the Pokémon Center healing SFX.  You can see the video I captured of it (this is one of my most-viewed videos):

Additionally, the VJ here was very talented.  The series of flashing logos and animations was the perfect level of stimulation for this kind of event.  The lighting at Mondo Cafe was ambient and soothing, but I liked the way ONDO was set up even more.

in the blue shirt’s set was once again filled with a high level of energy and precise mixing of multiple genres.  This set had his famous song “Seven Bridge” on it that made the club go insane as well as several tracks that I did not recognize.  I am now even more excited to hear the new EP he is working on!  I was really fortunate to talk with him and buy one of the few remaining vinyls of Recollect the Feeling.  He signed it with my name on it too!  I left the venue with a very good feeling.

Afterwards, I went to a lovely Chinese restaurant with some of my female friends.  It was so nice to catch up after all this time had passed and share these moments together.

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The last supper in Hiroshima.

Address

音楽食堂 ONDO
〒730-0026 Hiroshima, Naka Ward, Tanakamachi, 6−3, ​音戸温泉ビル

Final Remarks

Traveling around Japan for music events has been extremely rewarding for me.  I’ve learned much about the world, the people, and the culture of different prefectures of this country through music, and I’ve still got much to learn!  I go to clubs and events in Tokyo almost every week, but the atmosphere of the venues in Hiroshima and Kyoto are much more welcoming.  The artists and listeners are able to connect so much more freely with this type of event.  I will cherish all of the memories that I made here.

I do not have any big trips planned for the rest of the year, but I am planning to go to Nagoya in 2020.  Please stay tuned for more updates, and thank you always for reading. ♡

M3秋2019: Attending M3 for the First Time

Over the weekend I had the opportunity to attend M3, one of Japan’s biggest interactive multimedia events that is essentially the Comiket of music.  M3 is a great opportunity for aspiring artists and record labels because they are able to rent a booth and distribute their music in addition to connecting with other artists and fans.  I like this kind of event because it preserves the culture of physical music distribution and a lot of the music sold here is unavailable online so you won’t be able to find it elsewhere.  The same goes for the merchandise (such as hats and bags) as well.  There is also a space where you can freely listen to select music with your own headphones or have the option of renting some.  It’s very exciting to wander around here because you can literally see the happiness of people as they connect with the artists they love.

Getting to M3

M3 takes place at Tokyo Ryutsu Center, which consists of six exhibition stalls and a conference center with multiple floors.  This complex is actually really close to Haneda airport, so I rode the local Tokyo-Monorail towards Haneda-Airport Terminal 2 to reach it.  The event goes from 11:00 – 15:30, and I arrived at 11:30 just to avoid the initial crowds.  My timing was perfect because it only took me around 5 minutes to register and I was able to visit the 3 booths that I wanted.  The entrance fee is 1500 yen, plus it includes a guide with all of the participants listed and a map which is quite handy.

Navigating M3

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The floorplan of M3秋2019.

Navigating M3 is quite daunting at first, because each booth is identified with a letter and a series of numbers.  The booths are placed side by side and there’s a lot going on so it’s really easy to walk past the one you’re looking for.  Not only do they use all 26 letters of the English alphabet in the booth naming system, but they also use Japanese hiragana and katakana consonants and vowels as well.  There is very little English guidance and I don’t think much of the staff speaks English, so I would strongly recommend researching the artists/circles you’re interested in and finding exactly where their booth is placed before you come here.  It is extremely fun to wander around, but sadly there is not enough time to fully experience each and every artist’s music as this is only a one day event.  I would advise you to plan ahead so you can make the most of your time here.

Buying Music at M3

The CD I was most interested in buying was TVR Compilation Vol. 1, which is from a relatively new independent label in Asia.  One of my favorite artists who I’ve written about before; in the blue shirt, has released a rare song that is only obtainable at M3.

Here is the preview of the compilation that was uploaded a few weeks before:

Fortunately when I arrived there were multiple copies of the compilation I wanted, and the people running the booth were quite friendly and gave me an extra CD along with my purchase so it was an extremely good experience.  The compilation was only 1000 yen and was more than worth the cost.  All of the artists on the compilation have experience in the music industry, so it was quite the noteworthy compilation.

The first time I ever saw in the blue shirt at Lounge Neo in 2017, he played the song 「Dreamin’ of You」as an exclusive song in his set.  I’ve wanted the song for the longest time but I could never obtain it until now.  Finally in 2019 it was officially released as a part of this compilation, and I am very happy to officially have it in my collection now!

In addition to TVR’s booth, I also checked out the booths for Miraicha and Lipgloss Records.  I bought some merch for my friends overseas who couldn’t be here, and also picked up the Departure CD early that a lot of artists I know have collaborated on.  While I was here I saw so many familiar names of Japanese artists like IOSYS and ave;new that I listened to in high school through the internet, so I felt extremely nostalgic even though it was my first time here.  I had an amazing time even though I was only here to purchase a few things.  It truly felt like a dream to be here.

Closing Remarks

Overall M3 is a really friendly event that is perfect for networking and sharing music.  All of the music and merch is extremely affordable (most CDs are sold for 1200 yen on average), and I like knowing that all of the profits go to the artists and record labels (in addition to the booth rental fee).  M3 is quite comparable to Comiket, but not as big and daunting.  The size of the event center was enough to accommodate all of the artists and crowds of people, so I was relieved that I didn’t have to deal with long wait lines or commuter traffic on the trains.  All of the artists I talked to were happy to meet me, so I left the event center with an extremely good feeling.  If you love Japanese music as much as I do, please consider checking M3 out!

*M3 is a seasonal event, so you can check the latest information on their official website here.

Seeing in the blue shirt at Kaga Onsen Festival After Party

kagaonOn July 20th, directly after my crazy backpacking trip in Hokkaido, I decided to take a plane from Sapporo to Komatsu airport, where I ventured off to the hot springs town known as Kaga for its yearly music festival.  As a music enthusiast, this was a rare opportunity that I didn’t want to pass up!

About Kaga Onsen Festival

Kaga Music Festival is one of the biggest original music festivals in Ishikawa Prefecture, Japan, and has a total of 7 stages (some being lounges and some being club stages).  The genre of the festival is mostly electronic, pop, and rock music, though I noticed that there were a number of indie artists that appeared at the after party this year, including one of my favorites from Kyoto City: in the blue shirt.

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in the blue shirt playing a live set at the official Kaga Onsen after party.

Though I was unable to attend the main festival due to time constraints, my experience at the after party made my trip here more than worth it.  If you are looking for a festival that is unique to Japan and isn’t over-crowded like Fuji Rock or Summer Sonic, then this is definitely a solid choice.  Kaga Music Festival has enough variety to keep you interested, but the music lineup doesn’t ever feel overwhelming and you can see almost everything you want.  As an added bonus, there are many hot springs nearby that you can visit on the way home!

Getting to the Venue

To get to Kaga Music Festival, it is recommended to take a bullet train from Tokyo to Kanazawa then take a local train to Kaga Onsen Festival where you can catch a free bus to the main venue.  You can alternatively fly to Komatsu airport and take a local train there like I did.  This is a cheaper option, but the number of flights are limited due to how remote the area is.

Most of the accommodations by Kaga Onsen Station are quite expensive, so I booked a cheap room by the nearby Daishoji Station.  After getting settled, I headed over to the main venue which was called Rurikoh, then walked to the after party located called Mori no Sumika Resort & Spa.  The entrance fee at the door was 3000 yen with one drink.

Attending the After Party

The inside of the venue was absolutely stunning with flattering neon lights, a relatively large indoor stage, and an outdoor pool area you could go swimming in.  The crowd here was mostly Japanese in their early 20s or 30s, but I saw a few foreigners walking outside the area.  After checking out the venue, I immediately grabbed a vodka tonic and went to see the first performing artist.

The first artist was an electronic music producer called Yackle, and I caught their performance right as they were mixing a capsule song into a Nakata Yasutaka song, which was perfect timing because those are two of my personal favorites.  This producer mixes a lot of different genres and makes their own edits so they are extremely fun to watch!  Yackle has recently released an album called Frank Throw which features beautiful vocals and a mix of trap and bass music elements.  This was my first time seeing one of there performances and it was an extremely fun experience.

in the blue shirt played his live set immediately after which consisted of a unique blend of vocal chops and remixes of his own songs, as well as other artists like Pasocom Ongaku Club:

This set was extremely exciting for me, because I haven’t seen in the blue shirt since Large Size in Kyoto which was nearly 5 months ago.  Some of the people that attended that event recognized me here and pulled me to the front of the stage!  I was extremely flattered to see that they remembered me and enjoyed dancing with everyone.

Recollect the Feeling

In April in the blue shirt released his latest album called Recollect the Feeling which is growing to become a respected indie release in the music scene.  With its harmonic and compelling use of electronic samples that are intricately spliced in what appears to be its own language, this album definitely leaves a tremendous impact on the listener. Consisting of both English and Japanese lyrics, each song has an abstract yet nostalgic feel to it using indie electronic and triphop music styles, along with a variety of synths and instruments.  Though some of the songs are short (under 2 minutes), when the album is played as a whole it takes your mind on an unforgettable journey through time.  It’s still too early to say if I like this album more than Sensation of Blueness, but it is a polished release that I truly feel was worth waiting for.

On the latest album, I think “Casual Remark”, “Good Feeling”, and “Bamboo Leaf” are my favorites because they are great to listen to when exploring new places—I feel like I’m completely in my own aesthetic world when I listen to them.  I believe his personal best work is “Cast Off” as it was the first song officially released and has the most consistent composition, but it’s really hard to choose because the album is best listen to as a whole. What’s amazing is most of these songs were played on his sets as WIPs/transitions since 2017 and it’s amazing to see them completed now.

Overall I’m really happy for this artist because they’ve managed to accomplish everything that is most important in album production: they’ve delivered a compelling album with quality merchandise, collaborated and done shows with other artists I really like, uploaded previews and mixes so we know what’s coming, continually have showed their progress, and seemingly created a new record label / collective called The Wonder Laundry.  I’m so happy to have kept up with them through the whole entire release process and see them playing at big festivals now!

Other Recommendations

Of the other performing artists, I also recommend checking out PARKGOLF, Tomggg, and Avec Avec.  All of them have unique electronic styles and are respected performers I have seen at various events in Japan.  I spent the rest of the after party socializing with friends that I met and hanging out by the pool, but here are some of my favorite tracks that I recommend:

I will consider attending the main festival next year if more of my favorite artists continue to make appearances.  I am excited to attend more unique music events similar to Kaga Onsen Festival this summer!