Tag: Music

A Steamy Weekend Getaway: Takasaki WOAL & Kusatsu Onsen

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As a free-spirited traveler, I go wherever the wind blows me.  Upon returning to Tokyo from Thailand, I learned that my friends at Trekkie Trax were playing a show at an underground club in Takasaki called WOAL, so immediately I started planning my weekend trip there. I had been through this area before on my way to Niigata for Fuji Rock this summer, but have never gotten off to explore the area, so this was definitely on my bucket list.

Takasaki, the city of luck, is located about 2 hours from Tokyo in Gunma prefecture and is known for its dumplings, daruma dolls, and hotsprings.  The easiest way to get there is by the Joetsu Shinkansen, so I took the very last one from Omiya Station equipped with umeshu and Strong Zeroes to pregame for this all night show (that lasted from 10pm – 5am).  I decided I would stay at a net cafe called Link’s Cafe (for the sole fact that I love Zelda) then immediately go to Kusatsu Onsen when I woke up because that was the cheapest move.  Though there are many onsen scattered around Gunma, Kusatsu is by far the most famous and prettiest!

The atmosphere of WOAL was very friendly and inviting.  It was about an 8 minute walk from the station, but very easy to locate.  As I descended the stairs, I was immediately lost in a world of vibrant rotating neon lights and a boastful sound system.  The bar was conveniently located near the entryway, and by chance I met all of Trekkie Trax there as soon as I walked in!  I was so happy I could make it to their first show of the year, which was located outside of Tokyo (a rare event)!

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it’s a spirtual thing. a body thing. a soul thing. A lo-fi image of my favorite DJ from Trekkie Trax: Carpainter playing in Takasaki, Japan.

At the time I arrived, a Gunma native DJ called Amps was playing.  He is a longtime member of Trekkie Trax and I’ve heard him play juke sets in Tokyo before, but due to the chaos of Tokyo clubs, I had never really got to know him before.  It was wonderful to hear him play in his element.  An example of some of his tracks can be found below, or on his Soundcloud:

Each DJ had one hour to play, and it was great because the club wasn’t very crowded so there was a lot of room to dance!  I had a chance to get to talk to each artist, meet some of the Takasaki locals, and also became friends with one of the resident DJs called Momo who kindly bought me a tequila shot.  I liked this event because all of the artists played the music they wanted and didn’t try to please the crowd.  Everyone here came for the music and it was a great atmosphere.

This whole night felt like a dream to me because in the middle of Carpainter’s set, Andrew brought out a tray of tequila shots, Seimei brought out pizza, and Momo and I were dancing at the very front in this sea of neon lights and banging techno music, so it all just felt unreal.  Tokyo club events like this are usually very crowded and sometimes noisy, but I was able to lose myself completely within the music here at WOAL which is why I love traveling for these smaller shows.  The feeling that I felt here, I will never forget!

What’s funny is the vibration caused from the speakers makes the toilet paper in the restroom fall to the floor, and it’s become somewhat of a meme in the Japan music scene online:

Feeling completely mindblown and fulfilled, the next morning I took the local JR train to Naganohara Kusatsuguchi Station, then took a bus to Kusatsu Onsen and was amazed at this beautiful natural hotspring in the middle of the village:

Much like Takasaki, the atmosphere of this town was friendly and very inviting.  Dozens of street vendors were giving free samples of tea, dumplings, and local sake.  Though there was snow on the ground, the steam from the local onsen was enough to keep me farm.  Feeling hungry, I decided to wander around and find some food first.  There are dumpling shops everywhere, so I decided to try the black sesame ones.  I also found an udon shop called Matsumoto, and tried the udon and mushrooms that Kusatsu is very famous for in tempura form:

After feeling full, I wandered to Sainokawara Park and paid 600 yen to go inside the natural hotspring.  The water was very tepid, but it relaxed my muscles and made my body feel amazing.  I highly recommend this onsen for day trippers, because it is very affordable for those who cannot afford an inn.  Additionally, you can feel very in-tune with nature by sitting on the rocks and watching the moon rise.  Witnessing amazing music followed by bathing in an onsen is the perfect feeling!

Scattered throughout the town, there are many free footbaths that you can use!  Additionally, a friend of mine runs a ryokan (traditional Japanese inn) called Hotel Miyuki Annex, so I would recommend staying there, because they are local and quite affordable (my friend is Japanese but speaks nearly perfect English).  At night, the town becomes illuminated and beautiful!  Another recommendation I have is coming during winter, because I think the water in other seasons would be too hot for most people otherwise.  I only stayed here for the day, but most people stay here overnight.  Most of the town you can access on foot, and there are an endless amount of hotsprings for you to try!

Before I took one of the final buses back to civilization, I stopped at a local liquor shop.  They had amazing grape liquor as well as amusing sake and award-winning beer, so I picked up a couple souvenirs for my friends.  You really can’t go wrong with the food and drinks here!

I am now back in Tokyo, but I will never forget the vivid memories I have from this trip.  The people of Gunma treated me with extreme kindness, and the views of the mountains, steamy hotsprings, and neon lights are permanently etched within my mind!  I am grateful I had this as my first trip of 2019!

Carpainter – Orient Review: A Soothing Sensation of Techno for the Soul

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Very recently, Carpainter from Trekkie Trax (Tokyo’s beloved independent record label) released a new EP called “Orient” with roots stemming from Detroit Techno and UK Garage/Funk.  The EP contains two songs; the first titled “Orient” and the second titled “Mottled Pattern”.  Collectively they are composed with upbeat, inspiring melodies that are true to their influences, and are very reflective of Carpainter’s ability of an artist.

What I like most about these songs are they can be listened to in any setting–such as a club, a lounge, or even at home in your room.  While listening to this EP, I definitely feel a funky vibe that is overall upbeat and easy to dance too, but simultaneously, the intricate composition makes you feel reflective and contemplative of life.  It is music that is soothing for the soul, much like classic Detroit Techno:

Orient is a song with an intro that sounds similar to the songs that Carpainter produced on his Returning album, but quickly transforms into an extremely unique and funky melody full of energy.  The clashing techno sounds in the middle of the song make it very compelling to listen to, but the drums in the background make the song consistent.  It is evident he carefully chose the timing of the techno chords and electronic components of the song, and much like Detroit techno, this song possesses a lot of spirituality combined with technology.  What I find amazing is that not many people in Japan are familiar with Detroit techno, but this artist has a firm grasp on how to produce it.

In contrast, Mottled Pattern sounds like it had more of an acid techno and liquid house influence, but much like Orient, the percussion and synthetic beats make it a consistent song that is still very funky.  Much like a pattern that is “mottled” or unclear, the song is ambiguous in nature. It sounds like liquid techno at first, then has unexpected spaceship-like SFX in the middle which make it very peculiar.  However, this is Carpainter’s distinctive style, and what makes him stand out as an artist.  Overall, I like this song just as much as I like Orient because Carpainter put so much of himself into it, yet you can tell he had various techno influences as mentioned above.

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Though I have many positive things to say about this EP, my biggest criticism is it doesn’t actually reflect how much as he has grown as an artist.  In less than one year, Carpainter has done amazing things like open for Virtual Self in Tokyo, tour in Taiwan with the rest of Trekkie Trax, and also has performed at extremely reputable clubs in Tokyo while studying music and building a following of loyal fans.  I have witnessed him perform at techno, anime song, and house events as well as open for foreign performers that come to Japan, and in this single year of 2018 he has improved his abilities more than what this EP reflects.

One reason I love Carpainter as an artist is because he has played more genres than anyone else on his label, and has challenged himself to create music that is much different than what your normally hear from other Japanese artists.  However, if you don’t actively follow his club events and only listen to his music online, then you won’t know how much he’s grown as a producer since his last album (Returning, released in 2017).

Fortunately, Trekkie Trax has premiered more of Carpainter’s unreleased exclusive songs on their radio show, so hopefully Orient is part of a larger and more epic release.  Additionally, the reason of why he chose sunflowers as his cover art remains up to the listener to perceive (and will hopefully be elaborated on in a future interview)!

If you like artists like Lone, Ken Ishii, Disclosure, and various UK Garage artists, then I definitely recommend that you listen to it!

Support Carpainter’s Orient EP through Bandcamp here!