Experiencing the Nightlife in Taiwan

Since no trip to a foreign country is complete without experiencing its nightlife, I decided to check out a few unique cocktail bars and venues in Taipei and Taichung while I was traveling in Taiwan earlier this year.  Through going to music events in Tokyo, I was fortunate to have met my friend Hojo who not only manages tours and bookings for foreign artists, but also curates in own events in Taiwan with CUSTOMS and DJs music that transcends genres (see Hojo’s SoundCloud for reference).  In Asia it’s generally easy to find bars and spots to socialize, but the scene I found here far exceeded my expectations.

At Taiwan’s venues, particularly at FINAL, the entrance fee is affordable, the cocktails and music are top-notch, and you can actually sit down with people and socialize.  A big issue with some venues in Tokyo is that they are too crowded, and although I am a club enthusiast I sometimes find it hard to relax even when I really enjoy the music.  People in Tokyo have a tendency to seek stimulation (and I am guilty as charged), but it’s very easy to get drained from the steady flow of events.  However, in Taiwan I never had that issue.  Each night I went out I was able to find the perfect atmosphere for whatever mood I was in, meet a lot of new friends, and make awesome memories that make me want to come back here in the future.

The Fucking Place (操場)

The very first bar I went to in Taipei was called The Fucking Place.  This place became a meme when Trekkie Trax toured here because one of their members got legendarily lit, so it’s been on my bucket list for quite a long time.  This bar is close to a lot of clubs in Taipei, so it makes the ideal pregaming spot.  But why the name, you ask?  Hojo explains it all in his Tweet below:

True to its name, Fucking Place’s atmosphere is cozy and welcoming.  They have a large selection of hard liquors and you can ask for your own favorite cocktail combination too.  I drank whiskey mixed with milk and reached the perfect level of drunk among good people.

The upstairs of the bar is also worth checking out because it has a mini gallery that will perhaps expand in the future:

FINAL

By far one of the best venues I’ve experienced in Asia is FINAL in Taipei.  I was at here 3 different nights during my 12 day stay in Taiwan because each night had a diverse variety of music.  This club has always been on my radar because a number of my favorite artists from Japan (including Carpainter and Onjuicy) have performed here, and Hojo also runs his own events here.  Each night I connected with different friends from around the world so I would say the scene here is very international and friendly.

By chance, Night Tempo and Neon City Records were doing a large show here on the first Friday of 2020 during my trip, so I was extremely lucky to see them here.  I have been following Night Tempo since college and attended his first HMV show in Tokyo, but recently haven’t been able to attend his events in Japan because they sell out extremely fast.  Fortunately I was able to get door tickets here and catch his amazing 2 hour performance while catching up with my friends in Taiwan.

Night Tempo’s style has really changed from sampling old Japanese songs to producing Showa era idol music and recently working with famous vocalists like Anri and Mariya Takeuchi.  He played at Fuji Rock last year in addition to touring many Asian countries and America as well.  I have met some of my best friends through his music, so I always try to catch his events whenever I can:

The very next day, Hojo hosted CUSTOMS featuring IVVVO who I met, and other aspiring international artists with a lot of talent.  As I have heard from my friends who previously attended CUSTOMS events in the US, this one was nothing short of amazing.  Each artist played whatever style of music they wanted, and no one could predict what was coming next so it was fun.  One of my favorite moments was captured below:

I would recommend FINAL to everyone because it plays and caters to all tastes of music.  The scene is here is one of the best I’ve come across in Asia and I look forward to seeing who else performs here.

The Cave

While I was in Taiching, I decided to check out this bar called The Cave because it was the other venue in Taiwan where Night Tempo toured.  I came here on a weekday so no live performer was playing, but I really appreciated the ambient atmosphere and the carefully mixed cocktails the bartender crafted for me.  I ordered one that looked like cotton candy and was coated with honey, and another delicious cherry one that was both delicious and high in alcohol content.  This was one of the best bars that I have been to in Taiwan, and I highly recommend it to everyone.  It was very cozy but perfect for the mood that I was in.

Afterwards, I decided to go on a walk to the nearby Taichung Park Pavilion.  I really appreciated the vibe of the neon lights and how bright the pavilion shone at night (I think it looks prettier at night than during the day).  Additionally I ran into so many cute dogs that were being walked here, so it was a real delight.

Round4

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We all know the lyrics to this one.

On my very last night in Taipei, I went to a small lounge called Round4 recommended by Hojo.  Since it was a weeknight it wasn’t very crowded, but the bartenders gave us the best hospitality.  A bartender named Jimmy came out and talked to us, and also made special coffee cocktails that I’ll never forget.  I really like it when the bartenders make an effort to connect with their visitors, so this is a place I’d like to drink at again because it has good vibes.

Which raises the question…

Will I return to Taiwan in the future?

Since it’s right next door to Japan, I would say there is a very high chance that I will return.  I had a phenomenal time both experiencing the night life and spending time with nature in this country.  There will be a music festival held at a temple this year that I am considering coming back for.  Once the dates are decided, I may buy another plane ticket depending on my schedule.  The life of a traveler who also loves clubbing is never complacent.

Can you show me a miracle? // Madeon Good Faith Tour in Tokyo

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Can you show me a miracle?

Last month I was lucky enough to purchase tickets to Madeon’s Good Faith tour in Tokyo (held at Akasaka Blitz).  The event was so popular that tickets sold out in a matter of 10 minutes, but fortunately through a lot of refreshing on the Lawson Ticket site I was able to buy a standing ticket.  The standing tickets are the best in my opinion, because you’re able to get close to the stage and dance!

Though I lived in America for many years, this was the first time I had ever seen Madeon live.  His performance was such an emotional ride that it’s hard to describe with words, but I was filled with nostalgia and inspiration as I watched him pour his every being into his music.  The visuals were stunning, and perfectly matched the theme of each song.  In addition to songs from Good Faith, he sang nostalgic songs like Shelter and played a number of live edits that took careful precision and timing.  In fact, he put so much into this performance that he was nearly out of breath at the end, but he kept on singing for all of us.

Some of my favorite visuals are the ones shown below:

Good Faith has a lot of highs and lows, and the visuals were carefully designed to reflect that.  Similar to Porter Robinson’s shows, the visuals shift with the feeling of the song.  Some of them are very complex with intense motion, while others are very still and soft.  The show really is a trip and I think everyone can find something that they relate with here [as he intended].

If you haven’t listened to Good Faith yet, please take the chance to when you have time.  You won’t be disappointed.  My favorite song is “Miracle” because it deals with working out a lot of complex emotions (fear, anxiety, hopelessness), but delivers a powerful meaning.  All of the songs are beautiful and combine a mixture of piano, synth, and electronic sounds.  Seeing him play on the piano nearly brought me to tears because it was so beautiful.

For more videos, please see my Instagram:

I hope to attend many more shows like this in the future!

“Success is the Best Revenge”: Witnessing Pasocom Ongaku Club’s Night Flow Tour in Hiroshima

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Pasocom Ongaku Club performs live at ONDO in Hiroshima, Japan.

At the beginning of the month I traveled all the way from Tokyo to Hiroshima in order to attend two events that were part of Pasocom Ongaku Club’s Night Flow Album Release Tour.  The first was held at Mondo Cafe in Fukuyama, and the second was at a food and music venue called ONDO in central Hiroshima.  in the blue shirt—who is one of my favorite indie electronic producers in Japan—was also a part of this Hiroshima tour so I was ecstatic to go on this trip!

Hiroshima is typically a place where people go to visit historical sights, so before my arrival I had no idea what the nightlife was like.  I was pleasantly surprised to see how interactive the music scene is here.  Not only did the quality of music and talent of the artists exceed my expectations, but I also have fond memories from both events because they connected me with a lot of different people.  I also had the experience to see rare parts of Japan, so coming here was worth all of the time and effort.

In my previous articles, I covered how to travel around Hiroshima and Fukuyama, so in this article I will be writing a detailed report on the music producers that I saw here.

Who is Pasocom Ongaku Club?

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Pasocom Ongaku Club (パソコン音楽クラブ in Japanese; also stylized “Pasocom Music Club” in English) is a unit formed in 2015 focused on creating desktop music (DTM) of the new age.  They have an adorable dog mascot named Maron (マロン) that appears in a lot of their photos and merchandise.  Pasocom Ongaku Club have performed at numerous venues in Japan and utilize modules and digital synthesizers like the Roland SC series and Yamaha MU series to create 90s style music.  They have also participated in music production and remixes with other artists, commercials, and a wide range of other activities.
Official Website

A Brief Timeline of Pasocom Ongaku Club’s Releases:

  • 2015: The unit was formed and started uploading DTM tracks on their Soundcloud.
  • 2017: Released their first major album “PARKCITY” on Maltine Records.  Also self-released a miscellaneous album “SHE IS A“.
  • 2018: “DREAM WALK” and “DREAM WALK REMIXES” were released and extremely well-received, gaining them a lot of recognition.  They also released their CONDOMINIUM. – Atrium Plants EP.
  • 2019: “Night Flow” and “Night Flow Remixes” were released with critical acclaim.  Arranged “Pokémon Shiritori” (ポケモンしりとり)━the ending for the latest Pokémon anime based on the games Sword/Shield.  The group of children singing the lyrics to their song are called “Pokémon Ongaku Club”.

One of the most popular Pasocom Ongaku Club songs out right now is “reiji no machi” which features lovely vocals by Inoue Warabi:

I first saw Pasocom Ongaku Club in 2018 at a music/Q&A event called “ゆパ交流戦” in Osaka.  I was very impressed by their music production method and how they sang through what looks like a talk box to record some of their vocals.

The event was held again this year [2019] with a slightly different lineup.  I could not attend the event this year because I was in Korea, but the highlights were uploaded to in the blue shirt’s YouTube channel.

Who is in the blue shirt?

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Born in 1991, “in the blue shirt” is the solo project of a trackmaker named Arimura Ryo who currently resides in Osaka.  He started creating music in 2012 and also has managed sound production for commercials and web advertisements.  Released his 2nd album, “Recollect the Feeling” in April of this year.  Recently he has been organizing a recurring trackmaker/DTM workshop event called “Potluck Lab” and working on his own vlog series tentatively titled “Travels in the blue“.
Official Website

*I have previously written about this artist and his music in my Kaga Onsen Festival and Kyoto Metro LARGE SIZE articles.

A Brief Timeline of in the blue shirt’s Releases:

  • 2012: First started producing music━early demos and samples of his work can be found on his Soundcloud.
  • 2013-2014: First EP “Impasse” was released.  Worked on various compilations and remixes; most notably a remix of Porter Robinson’s “Flicker” on “Re:Flicker“.
  • 2015:toward morning” is self-released, and mini-album “Cyanotype” is released on Maltine Records.
  • 2016: First official album “Sensation of Blueness” is released on Trekkie Trax with much success.  Tracks are also featured on “Trekkie Trax The Best 2012-2015“.
  • 2019: Created a trackmaker/DTM workshop event called “Potluck Lab” held in Kyoto.  Releases 2nd album “Recollect the Feeling” and all vinyls sell out.  Preview of new EP is teased on Twitter.

in the blue shirt also released a remix of “reiji no machi” on “Night Flow Remixes”:

The First Night: At Mondo Cafe

After seeing all of Hiroshima’s major sights, I arrived at Mondo Cafe in Fukuyama around midnight.  This was my first time ever going to a music event in Hiroshima so I was a bit nervous by myself, but I was happy to see that some of my friends I had met at Kyoto Metro were here too!  It had been several months since I had last saw them so drinking together and catching up was a very pleasant time.  Some nice boys from Hiroshima also bought me drinks and I was grateful for their hospitality.

Though I didn’t know many of the local Fukuyama DJs, all of them had great talent.  The night was a mix of DTM, disco house, electronic, indie, and funk music.  During the event I tried to make conversation with other people, but the music was so good I didn’t want to leave the dancefloor!!

Pasocom Ongaku Club’s set consisted of their own custom intro, hit tracks Night Flow, and some nostalgic tracks from PARKCITY like “oldnewtown”.  It was very refreshing to see how much they had improved since I first saw them over a year ago!  I recommend their music to everyone.

in the blue shirt’s set consisted of many different genres; his own songs released on Sensation of Blueness, Recollect the Feeling, and toward morning were mixed in with songs from other international artists.  He also played “Don’t Wanna Fall in Love” by KYLE, “Nishio 2” by Lemaitre, and “Whatever You Want” by 95 Royale━which is one of my favorite house tracks of all time!  This is one of the best in the blue shirt performances I had ever seen!

By the end of the night I was filled with happiness and inspiration from all of the amazing tracks I had danced to that night.  It was extremely hard to sleep, but I managed to get a few hours in before the next event on Sunday.

Address

モンドカフェ
〒720-0077 1 Chome-9-21 Minamihonjo, Fukuyama, Hiroshima

The Second Night: At ONDO

The second event was on a Sunday evening so it started early around 6pm.  Much like Mondo Cafe, this event space was very homey but well-suited for the event.  Most of the people from last night also came here, so I had the chance to talk to some of the DJs and also see my friends again.  I was very grateful for everyone’s kindness and the hard work put into this event.  It felt more like a house party than a club event!

What made this event extremely unique was that Pasocom Ongaku Club dropped “Pokémon Shiritori” in one of their sets for the very first time.  The composition of this song is brilliant because they sampled the Pokémon Center healing SFX.  You can see the video I captured of it (this is one of my most-viewed videos):

Additionally, the VJ here was very talented.  The series of flashing logos and animations was the perfect level of stimulation for this kind of event.  The lighting at Mondo Cafe was ambient and soothing, but I liked the way ONDO was set up even more.

in the blue shirt’s set was once again filled with a high level of energy and precise mixing of multiple genres.  This set had his famous song “Seven Bridge” on it that made the club go insane as well as several tracks that I did not recognize.  I am now even more excited to hear the new EP he is working on!  I was really fortunate to talk with him and buy one of the few remaining vinyls of Recollect the Feeling.  He signed it with my name on it too!  I left the venue with a very good feeling.

Afterwards, I went to a lovely Chinese restaurant with some of my female friends.  It was so nice to catch up after all this time had passed and share these moments together.

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The last supper in Hiroshima.

Address

音楽食堂 ONDO
〒730-0026 Hiroshima, Naka Ward, Tanakamachi, 6−3, ​音戸温泉ビル

Final Remarks

Traveling around Japan for music events has been extremely rewarding for me.  I’ve learned much about the world, the people, and the culture of different prefectures of this country through music, and I’ve still got much to learn!  I go to clubs and events in Tokyo almost every week, but the atmosphere of the venues in Hiroshima and Kyoto are much more welcoming.  The artists and listeners are able to connect so much more freely with this type of event.  I will cherish all of the memories that I made here.

I do not have any big trips planned for the rest of the year, but I am planning to go to Nagoya in 2020.  Please stay tuned for more updates, and thank you always for reading. ♡

M3秋2019: Attending M3 for the First Time

Over the weekend I had the opportunity to attend M3, one of Japan’s biggest interactive multimedia events that is essentially the Comiket of music.  M3 is a great opportunity for aspiring artists and record labels because they are able to rent a booth and distribute their music in addition to connecting with other artists and fans.  I like this kind of event because it preserves the culture of physical music distribution and a lot of the music sold here is unavailable online so you won’t be able to find it elsewhere.  The same goes for the merchandise (such as hats and bags) as well.  There is also a space where you can freely listen to select music with your own headphones or have the option of renting some.  It’s very exciting to wander around here because you can literally see the happiness of people as they connect with the artists they love.

Getting to M3

M3 takes place at Tokyo Ryutsu Center, which consists of six exhibition stalls and a conference center with multiple floors.  This complex is actually really close to Haneda airport, so I rode the local Tokyo-Monorail towards Haneda-Airport Terminal 2 to reach it.  The event goes from 11:00 – 15:30, and I arrived at 11:30 just to avoid the initial crowds.  My timing was perfect because it only took me around 5 minutes to register and I was able to visit the 3 booths that I wanted.  The entrance fee is 1500 yen, plus it includes a guide with all of the participants listed and a map which is quite handy.

Navigating M3

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The floorplan of M3秋2019.

Navigating M3 is quite daunting at first, because each booth is identified with a letter and a series of numbers.  The booths are placed side by side and there’s a lot going on so it’s really easy to walk past the one you’re looking for.  Not only do they use all 26 letters of the English alphabet in the booth naming system, but they also use Japanese hiragana and katakana consonants and vowels as well.  There is very little English guidance and I don’t think much of the staff speaks English, so I would strongly recommend researching the artists/circles you’re interested in and finding exactly where their booth is placed before you come here.  It is extremely fun to wander around, but sadly there is not enough time to fully experience each and every artist’s music as this is only a one day event.  I would advise you to plan ahead so you can make the most of your time here.

Buying Music at M3

The CD I was most interested in buying was TVR Compilation Vol. 1, which is from a relatively new independent label in Asia.  One of my favorite artists who I’ve written about before; in the blue shirt, has released a rare song that is only obtainable at M3.

Here is the preview of the compilation that was uploaded a few weeks before:

Fortunately when I arrived there were multiple copies of the compilation I wanted, and the people running the booth were quite friendly and gave me an extra CD along with my purchase so it was an extremely good experience.  The compilation was only 1000 yen and was more than worth the cost.  All of the artists on the compilation have experience in the music industry, so it was quite the noteworthy compilation.

The first time I ever saw in the blue shirt at Lounge Neo in 2017, he played the song 「Dreamin’ of You」as an exclusive song in his set.  I’ve wanted the song for the longest time but I could never obtain it until now.  Finally in 2019 it was officially released as a part of this compilation, and I am very happy to officially have it in my collection now!

In addition to TVR’s booth, I also checked out the booths for Miraicha and Lipgloss Records.  I bought some merch for my friends overseas who couldn’t be here, and also picked up the Departure CD early that a lot of artists I know have collaborated on.  While I was here I saw so many familiar names of Japanese artists like IOSYS and ave;new that I listened to in high school through the internet, so I felt extremely nostalgic even though it was my first time here.  I had an amazing time even though I was only here to purchase a few things.  It truly felt like a dream to be here.

Closing Remarks

Overall M3 is a really friendly event that is perfect for networking and sharing music.  All of the music and merch is extremely affordable (most CDs are sold for 1200 yen on average), and I like knowing that all of the profits go to the artists and record labels (in addition to the booth rental fee).  M3 is quite comparable to Comiket, but not as big and daunting.  The size of the event center was enough to accommodate all of the artists and crowds of people, so I was relieved that I didn’t have to deal with long wait lines or commuter traffic on the trains.  All of the artists I talked to were happy to meet me, so I left the event center with an extremely good feeling.  If you love Japanese music as much as I do, please consider checking M3 out!

*M3 is a seasonal event, so you can check the latest information on their official website here.

Resurface to Reality: Raving in the Jungle of Koh Rong

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Resurfacing to Reality at Police Beach, Cambodia.

When caught up in work, stress, and a maze of relationships, it’s often easy to lose sight of yourself and forget what is important.  Though I love living in Tokyo, I find it often hard to relax here and there is an endless amount of events occurring which really places a lot of pressure on my life.  Spending 4 days on the small Cambodian island of Koh Rong in Koh Touch, a small village that only stretches for about a mile, really taught me taught me some valuable lessons I will treasure for life.

It was here where I went to my first old-school rave in the jungle and learned to live frugally compared to my extravagant city life.  The villagers were extremely kind and I was always surrounded by friendly people that took care of me despite the fact that I ventured here completely alone.  My time here really helped me let go of a lot of anxieties and insecurities I had that were holding me back recently.  Though I have many caring friends in all the countries I have visited, being in this setting helped me resurface to reality and form an entirely new perspective so I could enter a new mindset that I couldn’t reach before. I am still trying to find the proper words to convey exactly what happened, so I am just going to start from the beginning and write it all as I feel it.

The night began I as I wandered from my treehouse from around 9pm to a local bar called Karma, just because it had a lot of pretty murals, dank music, and was the designated pre-game spot before the rave in the jungle.  The best way to find out where these places are at is by word of mouth (simply by asking someone that works at the bar what’s going on for the night).  Here I met a crazy diverse group of people (one banker, one bar owner, and one government worker) who I really hit it off with so they ordered me some happy cookies, shots, and some Turkish coffee (which is just really strong, delicious tasting coffee) to keep me awake.  We all just had the same vibe–this was our first time in Koh Rong and we wanted to go out for the night but didn’t know what to expect–so we stuck together.  Fortunately all of us were experienced travelers who had done the Fullmoon Parties in Thailand already and were looking for something different.  And an absolutely insane night full of neon lights, fantastic music, and important self-discoveries was ahead of us!

If you haven’t heard, the main reason that people flock to Koh Rong is because of their weekly beach parties on the un-ironically named Police Beach.  In addition to the vivid nightlife, there is a ton of unspoiled nature and beaches to explore.  The reason I love Koh Rong is because unlike other places, it usually only has one event going on per night such as beach parties, bar hopping, or game nights between small groups of people.  There is no competition between events and everyone that shows up is generally friendly and looking to have a good time.  I did not encounter one unpleasant person while on this island.  I came during the off-season in October, but the weather was still sunny with only mild rain.  It was perfectly suited for me because I never felt like I was missing out.

We arrived almost at the start of the party because we were already buzzed and ready to dance.  I wasn’t extremely familiar with any of the DJs but they did a great job of mixing really classic techno songs.  I liked the venue because it had an indoor area that protects you from the rain, lounge chairs where you can relax and smoke joints, and nicely-sized dancefloor, and an outdoor area where you could relax on the beach but still hear the music.  It wasn’t anything fancy because it was partially in the jungle, but it was perfect for what it was.  I have been to many clubs in Asia so I was looking for something different like this.

Basically anything goes at this party–it preserves the old rave culture that is lost to Japan and many other places.  If you’re looking for something, then you’re likely to find it if you make friends with people beforehand.  I also loved the fact that wild dogs would roll up to the party and fall asleep on the ground (they were friendly and nice).  While I was at this party I really had a lot of fun twirling on the dance floor and running across the beach.  I felt relaxed, energized, and full of life.  It reminded me of being in college again, so I messaged some of my old college friends and told them I was thinking of them while I was there (since it was day time in the US and they were awake we had some great convos).

I stuck with the group of people that I had met earlier, but also was in my head for the most of the night.  To be honest I don’t remember a lot of things, but I was able to reach a level of thinking where I could compartmentalize my stress and anxieties and manage them a lot better.  That in itself made the entire experience worth it.

When the clock struck 6am, we climbed down to the beach and watched the sunrise.  It was breathtaking.  The sun looked like a red beady dot that was emerging from a sea of clouds, just like how we were all slowly trickling out of the jungle to the beach.  Earlier that night I had put a lot of effort into my appearance but at this time of morning I didn’t have a single care in the world.  I felt like a mermaid as I swam in the cool water.

When the party ended, I didn’t go to sleep.  I ran back to my treehouse and blasted my favorite songs from my balcony.  I met one of the bartenders on the way walking his dog and we had a lovely conversation.  Then I waded in the water until the first ferries arrived and sailed off to Koh Rong Samloem Island (which I will cover in my next post).  Overall, this was one of the best party experiences I had in my life, and I am so grateful I made the decision to come out here.

Compared to the beautiful islands I traveled to in Thailand, this was like an off-the-grid, undiscovered, party paradise that only the true backpackers make it to.

As an article on Matador Network puts it:

It’s not as if Thailand lacks an authentic culture…but the country, especially its islands, has been inundated with foreign tourism for so long that it’s far more difficult to forge sincere connections than it was on Koh Rong.

The biggest issue with islands in Thailand is that they are sometimes overcrowded with tourists so it’s difficult to partake in genuine Thai culture while you are there.  Plus because their Full Moon parties attract a large number of tourists, there are always other smaller underground parties going on at the same time as competition.  If you are only in Thailand for a short time, then it’s really impossible to hit up all the events.  However, at Koh Rong you never have the fear of missing out and can really learn from the culture of the people there.  The parties take place away from the hotel area so you can easily escape them if you need to.  There is a sense of peace and balance on Koh Rong that you’d never find elsewhere.  From what I’ve heard, Thailand used to be like this in the 80s, but this kind of culture is starting to fade away with the huge tourist boom.  However, I am extremely grateful I had the opportunity to travel to both countries and make friends.

Will I come back to Koh Rong to resurface to reality again in the future?  Perhaps one day.  Next I have my sights set on the Philippines and Indonesia which I likely will traverse next year!  But this has been my best island experience by far so I likely will try to go again.  Thank you to everyone for reading my heartfelt post.

Seeing in the blue shirt at Kaga Onsen Festival After Party

kagaonOn July 20th, directly after my crazy backpacking trip in Hokkaido, I decided to take a plane from Sapporo to Komatsu airport, where I ventured off to the hot springs town known as Kaga for its yearly music festival.  As a music enthusiast, this was a rare opportunity that I didn’t want to pass up!

About Kaga Onsen Festival

Kaga Music Festival is one of the biggest original music festivals in Ishikawa Prefecture, Japan, and has a total of 7 stages (some being lounges and some being club stages).  The genre of the festival is mostly electronic, pop, and rock music, though I noticed that there were a number of indie artists that appeared at the after party this year, including one of my favorites from Kyoto City: in the blue shirt.

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in the blue shirt playing a live set at the official Kaga Onsen after party.

Though I was unable to attend the main festival due to time constraints, my experience at the after party made my trip here more than worth it.  If you are looking for a festival that is unique to Japan and isn’t over-crowded like Fuji Rock or Summer Sonic, then this is definitely a solid choice.  Kaga Music Festival has enough variety to keep you interested, but the music lineup doesn’t ever feel overwhelming and you can see almost everything you want.  As an added bonus, there are many hot springs nearby that you can visit on the way home!

Getting to the Venue

To get to Kaga Music Festival, it is recommended to take a bullet train from Tokyo to Kanazawa then take a local train to Kaga Onsen Festival where you can catch a free bus to the main venue.  You can alternatively fly to Komatsu airport and take a local train there like I did.  This is a cheaper option, but the number of flights are limited due to how remote the area is.

Most of the accommodations by Kaga Onsen Station are quite expensive, so I booked a cheap room by the nearby Daishoji Station.  After getting settled, I headed over to the main venue which was called Rurikoh, then walked to the after party located called Mori no Sumika Resort & Spa.  The entrance fee at the door was 3000 yen with one drink.

Attending the After Party

The inside of the venue was absolutely stunning with flattering neon lights, a relatively large indoor stage, and an outdoor pool area you could go swimming in.  The crowd here was mostly Japanese in their early 20s or 30s, but I saw a few foreigners walking outside the area.  After checking out the venue, I immediately grabbed a vodka tonic and went to see the first performing artist.

The first artist was an electronic music producer called Yackle, and I caught their performance right as they were mixing a capsule song into a Nakata Yasutaka song, which was perfect timing because those are two of my personal favorites.  This producer mixes a lot of different genres and makes their own edits so they are extremely fun to watch!  Yackle has recently released an album called Frank Throw which features beautiful vocals and a mix of trap and bass music elements.  This was my first time seeing one of there performances and it was an extremely fun experience.

in the blue shirt played his live set immediately after which consisted of a unique blend of vocal chops and remixes of his own songs, as well as other artists like Pasocom Ongaku Club:

This set was extremely exciting for me, because I haven’t seen in the blue shirt since Large Size in Kyoto which was nearly 5 months ago.  Some of the people that attended that event recognized me here and pulled me to the front of the stage!  I was extremely flattered to see that they remembered me and enjoyed dancing with everyone.

Recollect the Feeling

In April in the blue shirt released his latest album called Recollect the Feeling which is growing to become a respected indie release in the music scene.  With its harmonic and compelling use of electronic samples that are intricately spliced in what appears to be its own language, this album definitely leaves a tremendous impact on the listener. Consisting of both English and Japanese lyrics, each song has an abstract yet nostalgic feel to it using indie electronic and triphop music styles, along with a variety of synths and instruments.  Though some of the songs are short (under 2 minutes), when the album is played as a whole it takes your mind on an unforgettable journey through time.  It’s still too early to say if I like this album more than Sensation of Blueness, but it is a polished release that I truly feel was worth waiting for.

On the latest album, I think “Casual Remark”, “Good Feeling”, and “Bamboo Leaf” are my favorites because they are great to listen to when exploring new places—I feel like I’m completely in my own aesthetic world when I listen to them.  I believe his personal best work is “Cast Off” as it was the first song officially released and has the most consistent composition, but it’s really hard to choose because the album is best listen to as a whole. What’s amazing is most of these songs were played on his sets as WIPs/transitions since 2017 and it’s amazing to see them completed now.

Overall I’m really happy for this artist because they’ve managed to accomplish everything that is most important in album production: they’ve delivered a compelling album with quality merchandise, collaborated and done shows with other artists I really like, uploaded previews and mixes so we know what’s coming, continually have showed their progress, and seemingly created a new record label / collective called The Wonder Laundry.  I’m so happy to have kept up with them through the whole entire release process and see them playing at big festivals now!

Other Recommendations

Of the other performing artists, I also recommend checking out PARKGOLF, Tomggg, and Avec Avec.  All of them have unique electronic styles and are respected performers I have seen at various events in Japan.  I spent the rest of the after party socializing with friends that I met and hanging out by the pool, but here are some of my favorite tracks that I recommend:

I will consider attending the main festival next year if more of my favorite artists continue to make appearances.  I am excited to attend more unique music events similar to Kaga Onsen Festival this summer!

Exploring Shikoku & Seeing Carpainter at Outer Kochi

I never would have dreamed that there was a club scene in the countryside of Japan, but through my travels I have learned that there is an underground scene basically everywhere–you just have to find it!  This time I went on a pilgrimage to Shikoku for the purpose of seeing Carpainter and Onjuicy perform at a venue called Outer located in Kochi.  I was very surprised to meet some very kind friends and enjoy the sights and sounds of a unique part of the country that I had never been to before!

I flew to Kochi from Tokyo a day before the event started so I had enough time to explore the city by myself.  When the plane landed, all I could see was rice fields and I didn’t know exactly where I was, but I knew it was about to be lit.  With a short bus ride to the station, I found that most of Kochi’s attractions were accessible by foot or via a cheap bus ride.  I grabbed some wine from the convenience store, and began my sightseeing trek around the city!

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I first stopped at Kochi Castle, which was quite a lovely sight to see.  I’ve been to a lot of white castles in Japan, but I liked this one because it involved a lot of climbing to reach the top and you could walk all around the castle!  Often you can only access certain parts of castles in Japan, but this one you can fully explore to your heart’s content.

Nearby the castle is the Harimaya Bridge, which is a super tiny bridge located near souvenir shops and the Sunday Market which is fun to see.  I stayed in the Kochi Green Hotel right in this area which my friend helped me get a coupon for only 3000 yen per night.

On the way back I decided to check out the Hirome Market for some delicious sea urchin and egg-like sushi.  There was also a disco ball and a giant tower of fries to see, along with many stalls selling beer and other novelties:

This market was very fun to see because it was so lively.  At all times of the day, you can see people drinking here.  There’s a great selection of seafood, noodles, yakiniku, desserts, and sake!  I could tell that the people of Kochi take a lot of pride in this market, because not only is the food good, but it is also a place where a lot of people come together and pass time.

The final destination on my list before the club was Katsurahama Beach!  Overlooked by the historic shogun Sakamoto Ryoma, this beach had a garden and stunning scenery.  I wouldn’t say it was the most beautiful beach in Japan, but it is definitely worth seeing if you are in Shikoku.

After spending a few hours here, I took a bus back to my hotel and started pregaming for the club.  This event was very special because it was the first time that Carpainter and Onjuicy performed together in Kochi, and also the first time Carpainter had ever been a back-up DJ for an MC (original Tweet).

As a foreigner with blonde hair, I definitely stood out but that was okay because everyone was very welcoming to me here.  I said hello to my 2 friends from Tokyo and proceeded to get drinks at the bar while they got ready for their set.  The event organizer greeted me and personally thanked me for coming all the way here because it was quite a long trip from Tokyo.  I thanked him back for having such a great event, and proceeded to be given shots by some locals and also one of the performing DJs.

The environment of Outer is quite different from clubs in Tokyo because everyone there makes an effort to get to know one another, plus with an indoor and outdoor area it’s quite spacious for moving and dancing around.  It’s not to say you can’t find a venue like this in Tokyo, but often you will find that the city is overcrowded and full of people who just want to party without paying attention to the music.  The crowd here was all very respectful and I really appreciated the time I had here!

During their performance, PAM!!! was played in addition to one of Onjuicy’s unreleased songs:

It was overall extremely fun to be so up-close to the performers and share the thrill  with the countryside people of Kochi.  I am excited to see the next place I end up following my friend’s tour!